Top 1092 Robert De Niro Quotes & Sayings - Page 13

We went to South America on a trip and all I had was a Robert Johnson album. So that's a definite influence on the album. My bandmates John [Stanier, drummer] and Henry [Bogdan, bassist] were interested in expanding their roles as writers, so that had a positive impact on the record.

The jam stuff doesn't appeal to me in general. My newfound love for the Dead came from Robert Hunter and Jerry Garcia's songwriting, not the elaborate guitar solos. I'm a song person. Once it starts to break out of that structure and become loopy, it's uninteresting to me.

Steve said to me how excited he was when Bindi was born. He said, 'Do you think we could have a boy?' And then Robert was born, and they're perfect. They're easy kids. They're wonderful to me; they're such a help.

So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.

Back channels themselves are as old as American diplomacy. Thomas Jefferson was an early enthusiast - he often routed around his secretary of state, once sending a secret letter to the American envoy in France, Robert Livingston, that contained a coded message.

When I was about 19, my stepmother said - because this was back in the '80s - that I had Robert Wagner's pompadour. I said, 'What are you talking about? You mean the guy from 'Hart to Hart?'

I think when you get Robert Griffin, one of the most explosive quarterbacks to ever play the position, in a Mike Shanahan-type system, the possibilities are very exciting, I think, with Mike Shanahan's imagination.

I felt it was really important to come here to see what was happening in New York. So, I came to see film and accidentally I stumbled upon theater, so I discovered Andre Gregory, Richard Foreman, Robert Wilson, and theater became my first anchor.

I keep thinking of Robert Stone making the distinction between the word sublime and the word beautiful. He described being in a battle as sublime. Because even though people were dying, it was such a huge sensory experience that it became sublime.

Robert Burns enriched Scottish song with his genius and is mainly responsible for the rich treasure house of song that we enjoy today. He collected folk songs, retained the melodic line, kept what words were usable and rewrote the rest. He didn't claim ownership.

The history of missions is the history of answered prayer. From Pentecost to the Haystack meeting in New England and from the days when Robert Morrison landed in China to the martyrdom of John and Betty Stam, prayer has been the source of power and the secret of spiritual triumph.

I covered the Vietnam War. I remember the lies that were told, the lives that were lost - and the shock when, twenty years after the war ended, former Defense Secretary Robert S. McNamara admitted he knew it was a mistake all along.

I never listen to Led Zeppelin. But, I mean, I don't think Robert Plant or Jimmy Page listen to Led Zeppelin, either. We all probably obsessed over the same old blues records growing up.

I'm a huge, huge fan of photography. I have a small photography collection. As soon as I started to make some money, I bought my very first photograph: an Henri Cartier-Bresson. Then I bought a Robert Frank.

Part of the reason that these attempts at explanation fail, I think, is that photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision... as Robert Frost told a person who asked him what one of his poems meant, 'You want me to say it worse?'

Research cited by Robert Cohen has made the point that there is up to a gallon of extra mucus in the body created as a result of drinking dairy. The mucus problem is associated with the fact that 87 percent of milk protein is casein, the main ingredient of Elmer's Glue.

From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.

The biggest thing I'm seeing - and I have to be careful what I say here - is that people are tired of the old guard and the familiar brands. They're looking for more individuality and creativity, and that's coming out of this whole new wave of younger brands: Thom Browne, Michael Bastian, Robert Geller, myself.

My problem was that I was blond. There were no heroes with blond hair. Robert Taylor and Henry Fonda, they all had dark hair. The only one I found was Van Johnson, who wasn't too cool. He was a nice, homely American boy. So I created my own image. It worked.

Many of the writers who have inspired me most are outside the genre: Humorists like Robert Benchley and James Thurber, screenwriters like Ben Hecht and William Goldman, and journalists/columnists like H.L. Mencken, Mike Royko and Molly Ivins.

Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so many artists.

It would be pleasant to believe that some of Lincoln's DNA is actively swimming around in somebody's soup, but all the evidence is against it. And of course, there's always the risk that what we might get would be more Robert Todd Lincoln than Abraham Lincoln.

Whether you are Minor White or Robert Frank, almost every photograph starts with an act of pure description - a window. But every now and then you catch a glimpse of the photographer's reflection. The mirror is just another function of the window.

The FBI doesn't sit around all day and read tweets. The FBI's going to do their job. Robert Mueller's going to do his job.

My guitar is a 1934 National Trojan. They call it a resonator, which is the guitar guys played in the honky-tonks before amplification. It's very loud. It's the type of guitar that Son House and Robert Johnson played.

When I was about 19, my stepmother said - because this was back in the 80s - that I had Robert Wagners pompadour. I said, What are you talking about? You mean the guy from Hart to Hart?

How many people in the women's division can say they wrestled Robert Stone? Just me. To me that's cool. It doesn't always matter if you're in the title picture, you just gotta make the best of what you're given and it was fun for me.

It is Hillary's [Clinton] star power that radiates to every corner of the ballroom. New York bigwigs, such as financial-media impresario Michael Bloomberg, attorney and labor mediator Theodore Kheel, and District Attorney Robert Morgenthau, crane to see her.

In 1970, Dean Robert Ebert offered me the Chair of Pathology at Harvard Medical School. I moved to Harvard because I missed the university environment and, more particularly, the stimulating interaction with the eager, enthusiastic, and unprejudiced young minds of the students and fellows.

In 1969, 'Life' magazine came up to me and said they wanted to do a little story on the Hobie, and I ended up getting a six-page spread. I remember Robert Redford was on the cover, and when that magazine hit the stands, it was a whole new ballgame.

Layer upon layer, Italy's storied past unfolds in Robert Kaster's captivating journey along the venerable Queen of Roads. I cannot imagine a more perfect guide to such a rich trove of ancient and modern memories. Illuminating, erudite, entertaining, and evocative.

I love being on stage. I'm completely, totally relaxed. It's the only time in my life when I know where I am and what's coming next. The other Robert Powell is probably fairly melancholic. Let's just say happiness isn't my default position. There are dark parts. I'm very good at it. I frighten people sometimes.

As for the writers who have influenced me they are many. Hemingway, Chandler, Ray Bradbury, Richard Matheson, Charles Beaumont, William Goldman, Flannery O'Conner, Carson McCullers, F. Scott Fitzgerald, and so many others. As a kid Kipling and Edgar Rice Burroughs, and Robert E. Howard.

Even as I pursued a doctorate in the history of ideas in my native Denmark, I realized I had neither the encyclopedic training nor the passion for cool logic - not to mention the nerve - to follow in the footsteps of classical liberal philosophers and economists such as Robert Nozick, Friedrich Hayek, and Milton Friedman.

China's rapid inroads into Africa are made possible by a combination of Chinese money and a willingness by Beijing to deal with some of the world's most unsavory leaders and human rights abusers like Robert Mugabe in Zimbabwe and Omar Hassan Ahmad al-Bashir in the Sudan.

One of the great things about the 'Iron Man' franchise is that they employ fascinating actors who don't necessarily do action movies. Before 'Iron Man' you didn't associate Robert Downey, Jr. and Gwyneth Paltrow with those kinds of films. There's an emphasis on repartee and wit.

After a year of post-graduate research, I won an 1851 Exhibition scholarship to work at Oxford with Robert Robinson. Two such scholarships were awarded each year, and the other was won by Rita Harradence, also of Sydney and also an organic chemist.

Robert was concerned with how to make the photograph, and I with how to be the photograph.

One teacher told me that my work belonged in the trash. That day I ran out of the classroom and ended up in the library, where there happened to be a black and white photography exhibition of Robert Rauschenberg's photographs of the streets of New York. The subject of his photos were exactly what I was painting about.

I had an invitation to contribute a track to a Robert Johnson tribute album, and it was the first time I'd done anything like that in my life. I was not brought up with the blues or anything like that, and I really, really enjoyed it.

I think one percent of the population attended college when Wallace Stevens and Robert Frost and Gertrude Stein were at Harvard. Now I think forty percent of Americans have some college education. That's an astronomical change.

My first job was when I was eight. I did this opera, which was a Robert Wilson/Philip Glass opera, called 'White Raven.' That was a very confusing and trippy creation tale, and I was a kid who brought up the sun and rotated the earth. It was very empowering.

One book that I heard was circulating the Green Zone was "Bureaucracy Does Its Thing" by Robert Komer , who worked for President [Lindon] Johnson in Saigon. This book is about the inevitably of screwing up when a country takes on a war with so little understanding of the country they are fighting.

If you've got good chemistry at the top, it's an enormous help. It's easy to have good chemistry with some, not so easy with others. With [Robert Mugabe], for example.

I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do.

[Robert] Capa: He was a good friend and a great and very brave photographer. It is bad luck for everybody that the percentages caught up with him. It is especially bad for Capa. (On Capa's death in Vietnam, May, 27, 1954)

Robert Altman was a very jovial guy and obviously a famed improviser and perhaps less effective in post-production, which is like the crystallising process. So I found myself at sea often with him because we'd have conversations about what music is, and in the end, I don't know how interested he was?

The first movie I can remember ever seeing was Hard Times with Charles Bronson and James Coburn. My dad also introduced me to the likes of Jimmy Cagney... John Garfield... Robert Ryan... Steve McQueen... James Caan... Those are my fondest memories.

In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.

My interest in chemistry was started by reading Robert Kennedy Duncan's popular books while a high school student in Des Moines, Iowa, so that after some delay when it was possible for me to go to college I had definitely decided to specialize in chemistry.

There are even more statues of Robert Burns than of any other figure in world literature. Indeed if we discount figures of religion, then only Christopher Columbus has more statues than he worldwide.

Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.

Bill Clinton was doing Ku Klux Klan grand kleagel jokes at Byrd's funeral, saying, Oh, Robert C. Byrd, he used the - he was the grand kleagel. He just did what he had to do.

I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.

I had to talk for a long time to explain to the producer why I wasn't right for 'Please Don't Eat the Daisies.' I also had to explain why I didn't want to do 'My Living Doll' before Robert Cummings was considered for the role.

And from my character's point-of-view in Ravenous, he had been collected by Robert Carlyle's character, he had become infected by this ravenous, cannibalistic power, and he was making the best of it.

Many in the world would have us choose safer options - keep this player, instead of taking a gamble on a player whose name you don't know. But when that player becomes Robert Covington, people are excited. We've chosen that sort of thing very often.

Robert Easter Jr. is a tough fighter who I have to take very seriously and I do, and that's why we did a nine-week training camp and got the great sparring, got the right training, the right diet, everything.

The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad.

I had just done a movie called 'How to Beat the High Cost of Living,' and it didn't get a good review. And the same people sent me the script for 'Airplane!' for the Robert Hays part. I read it, and there were a lot of plays on words, and I said, 'I don't like this kind of comedy.'