Top 148 Rogers Quotes & Sayings - Page 2

There were some great clinicians in the 20th century - great men. Freud was a genius; Jung was a genius, Carl Rogers was a genius - there's a half-dozen psychologists of the 1950s and humanists of the 1960s.

When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.

Those five Rogers Cup matches were physically tough, and there were late nights, up until 2 or 3 A.M. - how could I fall to sleep after beating some of my heroes?

I'm a child of the 80s so I grew up listening to an awesome variety of music. John Cougar Mellencamp, Tom Petty. I've always loved Elvis Presley and Kenny Rogers. Beastie Boys made me start making music.

Detroit is drunken idiots. It was no surprise to me. I performed with Kenny Rogers for one year as his opening act, and I got to visit every major American city and notice the audience, and Detroit was one of the worst.

He [Will Rogers] was America's most complete human document. One-third humor. One-third humanitarian. One-third heart.

Some months after [Keith Alexander] made that statement [Edward Snowden cause grave and irrevocable harm to the nation], the new director of the NSA, Michael Rogers, said that, in fact, he doesn't see the sky falling. It's not so serious after all.

Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.

I can't believe that I'm sitting in meetings with Steven Spielberg, Tom Hanks, and Annette Bening. I want to take on that responsibility to represent all the Rogers out there who don't have a seat at the table. People of colour were not at the table, and now I am there, I want to change things.

Will Rogers wasn't helpful to me at all. He was just concerned with his way of doing things. He didn't like me much because I used to wear slacks to the studio, and that was not done much in those days, so I guess he thought I was rather fast.

I am deeply saddened by the loss of my children`s grandfather and my very dear friend. I loved big John with all my heart. ... Johnny Cash will, like Will Rogers, stand forever as a symbol of intelligence, creativity, compassion and common sense.

I'm looking forward to becoming a marvelous - excuse the word marvelous - character actress. like Marie Dressler, like Will Rogers.

I love a good Roy Rogers or Shirley Temple, and I had to give those up. And Philly cheesesteaks. I love Philly cheesesteaks, and now they really aren't around anymore.

I can't tell you how many spot shows little Johnny Nitro, like, pulled the chair out in the arena in Shelbyville Fair and did a moonsault only to get chewed out by Rip Rogers and Jim Cornette about it. I mean, I did years of it.

Fred Rogers was a children's-TV host, but he was not Captain Kangaroo or Officer Joe Bolton. He was an ordained Presbyterian minister who was so appalled by what he saw on 1950s television--adults trying to entertain children by throwing pies in each other's faces - that he joined the medium as a reformer.

No more flying knees against Fedor Emelianenko, no more getting back with my hands down like how it was against Rogers. I just can't do that anymore.

As far as my contribution to this industry, I want to be like Dean Devlin, John Rogers, and Chris Downey. I want to give people jobs and put them on great shows. I want to create careers for people.

Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.

I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.

When I think of a video game, I think about how I'd love to have Buddy Rogers vs. Ric Flair, something like that, where you can wrestle these Legends against each other from different periods and stuff.

One thing led to another and I didn't have to take tickets any more because I now worked for Mr. Rogers. He said if I was going to take care of his horses than I'd better learn how to ride. He was very kind to me.

I live in a wonderful world of make-believe. A world of Ginger Rogers and Fred Astaire. A world of Winnie the Pooh and Edward Bear. Things like that. Wonderful things. Funny things.

I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.

I had an AM radio and listened to Al Green, Kenny Rogers, Stevie Wonder, Charley Pride and Cheap Trick - sometimes in the same hour on the same station!

After my loss to Rogers, I had a meeting with all my trainers and they kind of gave me the ultimatum that you have to do it our way, or you have to look for some different trainers. And now I've become more discipline.

I'm the oldest of three kids and I remember my brother and sister still watching Mr Rogers while I felt too big and too sophisticated to watch it.

When I was nine, I was singing western swing: Roy Rogers and Patsy Cline. It got me noticed because no one my age was doing it, but it made me feel inferior because none of my friends could relate to it.

When I was living in the projects, I had a mop stick for my horse. I wanted to be Gene Autry or Roy Rogers, so I would ride my mop through the projects.

I was born and raised in Rogers Park in Chicago. My father sold furniture, and my mother was a Chicago public school teacher and proud member of the Chicago Teachers Union for decades.

I was really into old musicals. When I was seven or eight, my mum and dad would be like, 'How does she know who Ginger Rogers is?' Then, one weekend, Josephine Baker popped up in a French film called 'Zouzou,' and I was so stunned because she looked like me.

There's two theories to arguing with a woman. Neither one works. Will Rogers The reason that there are so few women comics is that so few women can bear being laughed at.

This person should not be directly connected with the President Ford Committee nor should he be seen as a member of the liberal wing of the Republican Party. He should be someone like Laird or Rogers Morton.

A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.

People behind the Iron curtain have such an incredible image of America and jazz. I expected to find a Gerry Mulligan or Miles Davis on every corner...I almost expected a Shorty Rogers to deliver the milk, a Bud Shank to be the mailman.

As a kid, I loved any guitarists, whether it was Elvis Presley, Lonnie Donegan, Chuck Berry or even the cowboy guitarists like Gene Autry and Roy Rogers. The image of the guitar appealed to me.

There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.

You sail into the harbor, and Staten Island is on your left, and then you see the Statue of Liberty. This is what everyone in the world has dreams of when they think about New York. And I thought, 'My God, I'm in Heaven. I'll be dancing down Fifth Avenue like Fred Astaire with Ginger Rogers.'

While I was making my solo films, RKO was busily trying to get me and Fred Astaire back together. The studio wanted to capitalize on the success of 'Flying Down to Rio' and realized that the pairing of Rogers and Astaire had moneymaking potential.

It was somewhere in doing the last season of 'Leverage' that John Rogers and I became confident that we had developed an all-new production technique where we could put more on the screen with very little money. So we started to get more comfortable with the idea of trying to tackle 'The Librarians.'

Casting Captain America is really casting two roles... Steve Rogers before and after the transformation from 98 pound weakling to perfect physical specimen. I can't divulge how we're going to do it, but the performance will be Chris Evans from beginning to end.

I grew up watching old musicals and seeing Ginger Rogers wearing a beautiful fitted bodice that had ostrich feathers. I love how it moved when she danced. Theatrical pieces like that stayed with me. I wanted to grow up to wear those kinds of things.

And knife making is as much art as science, as far as I'm concerned: Forging metals from an old farm tool into a blade thin enough to effortlessly cut a tomato yet strong enough to mince ginger, all while looking beautiful, is comparable to Ginger Rogers dancing backwards in heels.

As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.

After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.

It's always been a dream of mine to be Ginger Rogers or Cyd Charisse, and here I am performing alongside Robert Lindsay and being directed by a major Broadway producer. Who said dreams don't come true?

When I was young, I ran to see Astaire and Rogers, Huston, Lubitsch - they were formative for me. I also read 'Flash Gordon' when I was 6, but if I were still reading it when I was 16, I'd have been an imbecile.

His name was Fred Rogers. He came home to Latrobe, Pennsylvania, once upon a time, and his parents, because they were wealthy, had bought something new for the corner room of their big redbrick house. It was a television.

Mr. Rogers would not make a good protagonist of a narrative film. He's without conflict, he's too far along on his journey toward enlightenment to be a good protagonist. Our protagonists have to be struggling with demons in a certain way.

When you're a kid, regardless of the age you grew up, everything is high opera. With hormones raging, you have to fight external and internal battles that you've never had to deal with before. Unlike Tony Stark and Steve Rogers, who have seen it all and been through it all, everything heightens the drama.

In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.

Renaissance cowboy/raconteur Pop Wagner ...deadpan funny ...his presence is like meeting Woody Guthrie and Will Rogers riding a single, many colored horse. Pop is a kind of 'textile genius' who is able to spin, at once, both yarn and rope.

I just wanted to do a music show, with the whole realm of music from Ella Fitzgerald to rock bands like Cream to Kenny Rogers. We had a lot of country, but we did every kind of music. The Monkees were on, and so was Johnny Cash.

I practiced drawing all the time and became very interested in it. If I was at a meeting that wasn't getting anywhere - like the one where Carl Rogers came to Caltech to discuss with us whether Caltech should develop a psychology department - I would draw the other people.

I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.

Renzo Piano and Richard Rogers's Centre Georges Pompidou of 1971-1977 - the true prototype of the modern museum as popular architectural spectacle - wound up costing so much more than planned that the French government solved the shortfall by cutting support for several regional museums.

He was very commanding, and you had to know what you were doing to work for Mr. Rogers. I learned how to ride very quickly with him as my riding teacher.

John Rogers has an encyclopedic mind. Having John as our showrunner is the gift that keeps on giving. He knows more trivial information than anyone I've ever met in my entire life.

I grew up on the north side of Chicago, in West Rogers Park, an overwhelmingly Jewish neighborhood. When I was 13, my parents moved to Winnetka, Illinois, an upper class, WASPy suburb where Jews - as well as Blacks and Catholics - were unwelcome on many blocks. I suffered the spiritual equivalent of whiplash.

Suddenly Star Wars came out while we were on hiatus, and we looked like the old Buck Rogers series, where they had cigarette smoke blowing out the back of the rocket ship.

I remember what J. Golden Kimball said when he came down to the stake where I was presiding. I introduced him as the 'Will Rogers' of the Church, and told the congregation that he was a great humorist. When he got up he said, 'You know, I think the Lord himself likes a joke. If he didn't, he wouldn't have made some of you folks!