Top 1200 Sad Movie Quotes & Sayings - Page 17

Sometimes in the middle of a presidential campaign, there's a political movie, and people are sick of hearing about politics, and they don't want to see that movie. They'd rather see "Godzilla."

There's a big difference between trolling and just attacking guys to attack guys, to get under people's skin, and to genuinely express how you felt about something. Like if I go to a movie for example, and I watch a movie, and I wasn't a fan of it. I don't mind turning to my family or some buddies I'm with and saying "oh man, I really didn't like that movie." But I've never acted or directed in my life. But I'm able to voice my opinion about whether or not I enjoyed it or not.

You have a soft spot in your heart for each movie, and you're doing certain things. You're learning as you're going, as a director, and each movie is its own entity.

Sometimes you do things for personal reasons. I made a very personal movie in We Are Marshall. I was afraid of flying, for a long time, and that's a movie about a plane crash.

Often sit alone happy happy Thoughts somewhat far gone gone Clouds circle mountain soft soft Wind through valley swish swish Ape in tree bounce bounce Bird in forest chirp chirp Time turns hair gray gray Winter is here sad sad

Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.

So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.

Mystery makes movie stars! If you see someone on the cover of the weeklies all the time, why would you want to pay to see them in a movie?

Every movie is different. Every movie requires its own sort of photographic voice.

In 'The Condemned,' if you saw the movie, that's all me; I'll go toe to toe with anyone in an action movie.

I am a creative person and watching a movie is like writing a story. So when I see a movie, I also see the editing, the music, the camera angles, etc.

The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'

Making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.

Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.

I love Apocalypse Now because it's a war movie, but yet it's not really a movie about war.

'V for Vendetta' is an amazing movie, and it had an obvious message, but it was done so perfectly. I got out of the movie, and I wanted to march so hard. I wanted to be an activist.

In the future, I want to do an action movie! I'm going to get in shape, get ripped, and have my Chris Pratt transformation. And then become a movie star like that.

What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.

I studied fine arts and architecture, but I decided to move into movie design because I grew up in a small town in the Marche region and spent a lot of time after school in the movie theater.

Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.

We'd go to studios with ideas to do movie musicals and they'd literally kick us out. They said, 'Audiences aren't interested in movie musicals. You're wasting our time.'

Some of the best movie experiences I've had are when I just walked by the theater and decided to see a movie I hadn't heard anything about and bought a ticket, because that's really the first time you can experience it untainted.

My very first acting gig was in a movie for Russ Parr. He did this movie called "Love for Sale," and that was my first role in any film.

The attraction of watching a movie called 'Alien vs. Predator' is you're anticipating - and the movie has to deliver - battle scenes and fight scenes between the two creatures.

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

A movie that I'm involved with and have a lot of love for, which is 'On The Road,' does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

Anybody who understands how a movie gets made understands that a deep-pockets player is not going to make a movie that has anything defamatory in it without protections.

I've never tried to make a movie to pay an overhead. We're in a very creative business, and I want to make movies because I enjoy that movie or that material.

My very first acting gig was in a movie for Russ Parr. He did this movie called 'Love for Sale,' and that was my first role in any film.

A movie that I've seen probably the most is 'Fanny Alexander,' the Ingmar Bergman movie. I even dragged my friends to the super long version that had an intermission. I don't know how much they liked me that day.

The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.

The world record is like you we went to the theater to see this movie, and it was really good, and it had an unexpected ending, and you left the theater saying, 'Wow, that was such a great movie.'

Me and Lucas Black are actually starring in that movie 'Fast and the Furious 3: Tokyo.' It's gonna be hot and different. My first action movie, so it's gonna be great.

The movie cheerfully offends all civilized notions of taste, decorum, manners and hygiene... The movie is vulgar? Vulgarity is when we don't laugh. When we laugh, it's merely human nature.

I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.

The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.

'Red Planet' was a tough movie to make, and I learned a lot about myself. To me, that's a lot more interesting than how a movie does.

I found Jumpy on YouTube. I wrote a movie about a guy with a dog and was like, "What have I done? This is going to be a nightmare. We're a small movie and we're never going to be able to do this."

When I watch a movie, I don't make a sound or move. The more I'm into the movie, the more bored I look.

The movie - any sports movie - becomes a praise song to life here on earth, to physical existence itself, beyond striving, beyond economic necessity.

I don't mind reminding people it's a movie, or that you're telling a story. Everybody knows this, but for some reason, we want to be real. I don't get it, I like the fakeness of my craft. I don't think the audience minds-they all know we're making a movie.

When you are in every scene of a movie - which I must say I really much prefer - you have more control over the film that you're making. Because the choices you make as an actor can't help but change what the movie is saying.

So I’m thinking this is the part of my movie where things appear as if nothing is going to work out. I have to remind myself that all movie characters go through this sort of dark period before they find their happy ending.

I loved Tolkien and I loved 'Star Wars,' which was the first memory that I have being in a movie theater. And, of course, that was the defining movie for me as a kid.

The moment that you start to read a script, you're watching the movie in your mind, and that's the one moment that you have. Then, you go off to make the movie and you become so lost in it.

That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.

There is a difference between movie actors and TV acting, especially with movie stars, which is they know their face is 20 feet high on the screen. They know they don't have to do much.

An action movie, a sci-fi action movie, would be my favourite thing in the world to do.

Arnold Schwarzenegger, Bruce Willis, they make bad movie after bad movie.

I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.

I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.

You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.

I will never become a director or a movie producer. I was always looking at picture directing because I didn't know what to do! You can't be a movie director without real preparation.

A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.

There are no minor decisions in movie making. Each decision will either contribute to a good piece of work or bring the whole movie crashing down around my head many months later.

A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.

Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.

When you've been a character in a movie - and this has happened when we've done concerts as Spinal Tap or as The Folksmen - people see you as characters walking out of a movie. And you appear in public, then, to play, it's a very schizophrenic thing.

Hey. (She took his chin in her hand so that she could move his head back and forth while she examined him.) You’re hurting in there. That would make akri very sad. He doesn’t like for his Dark-Hunters to hurt and the Simi don’t like it when akri is sad. Why are you hurt? (Simi)

I don't want to tell them what to take away from a movie, I think a movie should tell that.