Top 1200 Safe Space Quotes & Sayings - Page 17

Only in an open, nonjudgmental space can we acknowledge what we are feeling. Only in an open space where we're not all caught up in our own version of reality can we see and hear and feel who others really are, which allows us to be with them and communicate with them properly.

When I first joined the Irvine Company, I realized that less than 11,000 acres were designated as open space in the original master plan, and that just didn't seem adequate to me. So, I began the lengthy process working with public and community organizations to add more open space.

Formerly, people thought that if matter disappeared from the universe, space and time would remain. Relativity declares that space and time would disappear with matter.

We're not up here visiting space, we're up here living in space.

If you say that the gospel lays a claim upon people, then you are invading their personal space, and they feel as though you have no right to be there. Now we don't even begin preaching the gospel until we get into their personal space and they feel the demands of God upon them.

What is the shape of space? Is it flat, or is it bent? Is it nicely laid out, or is it warped and shrunken? Is it finite, or is it infinite? Which of the following does space resemble more: (a) a sheet of paper, (b) an endless desert, (c) a soap bubble, (d) a doughnut, (e) an Escher drawing, (f) an ice cream cone, (g) the branches of a tree, or (h) a human body?

Why can't I go to Idris with you, then? Because it's not safe for you there O and it's safe for me here? I've been nearly killed almost a dozen times in the past month. That's because Valentine has been concentrating on the two Mortal Instruments that were here. He's going to shift his focus to Idris now. We all know it-- We're hardly as certain of anything as all that. And the Clave wants to meet Clarissa. You know that, Jace. The Clave can screw itself.

Growing up in the '60s and early '70s, with the space flight and the Apollo program, I always loved planes. I always loved rockets and I always loved space travel.

How can we hope, after all, to see a tree or rock or clear north sky if we do not adopt a little of their mode of life, a little of their time? if the time it takes to cross space is a way by which we define it, then to arrive at a view of space “in no time” is to have denied its reality

I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!.. ..the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with.

We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum, we can't see the very small, we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the microsphere. The telescope allows us to extend our vision into the macrosphere, the Hubble Space Telescope extends our optic nerve into space, and it allows us to mainline space and time through our optic nerve.

Whether or not people go into space or serve the space industry, they will have the sensitivity to those fields necessary to stimulate unending innovation in the technological fields, and it's that innovation in the 21st century that will drive tomorrow's economies.

The process of learning how to defend my body, how to own my space and take away space from other people, and getting me in touch with my masculine, testosterone-heavy side, from a personal development standpoint, it was really helpful to me - as well as releasing aggression and frustration.

In 1980, during my sophomore year at MIT, I realized that the school didn't have a student space organization. I made posters for a group I called Students for the Exploration and Development of Space and put them up all over campus. Thirty-five people showed up. It was the first thing I ever organized, and it took off!

It made her think of Laika, the dog. The man-made satellite streaking soundlessly across the blackness of outer space. The dark, lustrous eyes of the dog gazing out the tiny window. In the infinite loneliness of space, what could the dog possibly be looking at?

The aikido term ma ai, which means "space harmony" ("ai" is Chinese for "love," and it translates into Japanese as harmonious connection) refers to the optimal distance point, where you're close enough to connect well and far enough to enjoy your own space.

We proposed Tiananmen Square - this very empty political square in the city centre - should turn green. Maybe in the future, this space could become a very human and open urban space. And if that happens, I think that all the cities around China will follow to change.

Space is all one space and thought is all one thought, but my mind divides its spaces into spaces into spaces and thoughts into thoughts into thoughts. Like a large condominium. Occasionally I think about the one Space and the one Thought, but usually I don't. Usually I think about my condominium.

Each of us has a God-shaped space within us. Only God can fill that space. But we run ourselves ragged trying to find things other than God to fill it with.

The Experience of Sacred Space makes possible the founding of the world: where the sacred Manifests itself in space, the real unveils itself, the world comes into existence.

The bandstand is an incredible space. It is really a sacred space. One of the things that is really sacred about it is that you have no opportunity to think about the future, or the past.

To most people in the U.K., indeed throughout Western Europe, space exploration is primarily perceived as 'what NASA does'. This perception is - in many respects - a valid one. Superpower rivalry during the Cold War ramped up U.S. and Soviet space efforts to a scale that Western Europe had no motive to match.

The years of space flight since the orbiting of Sputnik I back in 1957 had produced many fascinating results, but they had also brought a realization of the many problems that surrounded the use of rockets for space flight.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are.

Even a happy life has a sad day. We fail to provide a context which says it's okay to cry, it's okay to be sad. So I think making the space for suffering is so important and making space for this expression of feelings in community.

I have worked to free shape from its ground, and then to work the shape so that it has a definite relationship to the space around it; so that it has a clarity and a measure within itself of its parts (angles, curves, edges and mass); and so that, with color and tonality, the shape finds its own space and always demands its freedom and separateness.

I like to say that before we can create an external space in which to receive people, we have to create an internal space in which to receive them.

It may take endless wars and unbearable population pressure to force-feed a technology to the point where it can cope with space. In the universe, space travel may be the normal birth pangs of an otherwise dying race. A test. Some races pass, some fail.

I was invited to give the Freshmen Convocation at Florida Gulf Coast University on October 24, 2004. My book The Open Space of Democracy had been selected as one of the "common readers" for the university's 1,050 entering freshmen. On October 6, William Merwin, the president of Florida Gulf Coast, made the decision to "postpone" the convocation. He cited negative statements I had made in print about President Bush. If our colleges and universities are no longer the champions and protectors of free speech, then no voice in this country is safe.

And I do pay a lot of attention to how things feel underneath my feet. It's a way of transporting yourself somewhere that you're trying to write about - closing your eyes and imagining what it feels like to literally be in that space. Maybe because of this weird aura thing I find it a bit easier to put my body in an imaginary space.

In fact, the Outer Space Treaty of 1967 bans militarization. Potential adversaries of the US, and even its allies, are so far behind that these countries are very interested in maintaining the treaty. Europe and the rest of the world want a strong reaffirmation of the Treaty and the US is unilaterally trying to derail it. Termination of the treaty would mean that the US could develop satellite weapons, put offensive weapons in space. It would probably mean using nuclear power in space. All of this leads to some very dangerous scenarios, including destruction of the species.

The stories that unfold in the space of a writer's study, the objects chosen to watch over a desk, the books selected to sit on the shelves, all weave a web of echoes and reflections of meanings and affections, that lend a visitor the illusion that something of the owner of this space lives on between these walls, even if the owner is no more.

I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.

What else is stop and frisk? These neighborhoods are unsafe not because there's not enough cops illegally frisking people. They're not safe because of economic conditions. They're not safe because of all types of things in the government that people like Mike Bloomberg and Ray Kelly should be looking to fix instead of randomly searching kids in the hood. If you go to a college campus and you do stop and frisk, you're going to find a lot of drugs there, too.

If you sort of see yourself writing into a space that you don't always recognize, you sometimes learn things that you knew, but weren't entirely aware of. It's very liberating for a writer to go into a space where she or he has not gone before, because, instead of being a tourist, you're like an explorer now, and you're sort of lost in this new idea.

All matter/space has some degree of "self" in it, and this self, or anyway some aspect of the personal, is something which infuses all matter/space and everything we know as matter but now think to be mechanical.

Space has its own unique smell. So whenever a vehicle docks, or if guys are out doing a spacewalk, the smell of space when you open up the hatch is very distinct. It's kind of like a burning-metal smell, if you can imagine what that would smell like.

When I grew up, I saw the moon landing, and I was fascinated watching them as a child, and that's what really turned me onto space and science fiction, and I started watching things like 'Lost In Space,' and that led me to 'Star Trek,' which was a major influence on my life.

Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space?space even more than time.

Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.

Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.

I've always wanted to do a project with space imagery because I've always loved these amazing sci-fi electro book covers. I've always loved science fiction. I feel like space imagery has no boundaries.

When this space walk will be completed, then the arm will be fully operational and ready for the next activity that will be pretty much the testing, the first flight testing of the space station arm.

For me, it's about taking things that do not take a lot of space. Don't take a lot of shoes. I tend to pack a lot of dresses, for instance, because they take up less space.

What differentiates time from space is that time does have a direction. In that sense it is different from space. I think that's certainly true that whereas spatial dimensions don't have direction or an arrow, time does. It runs from past to future. But I see that arrow of time as rooted in a deeper metaphysical reality, namely the reality of temporal becoming - of things coming to be and passing away. That is why time has this arrow. But it's not sufficient to simply say that time and space are distinct because time has a direction. The question will be: why does it have a direction?

Especially when I first really started to work with Kenneth and Franklin, who had been in space already. And so, they were able to talk about space and tell me a few things about how things would really happen.

The International Space Station is a phenomenal laboratory, an unparalleled test bed for new invention and discovery. Yet I often thought, while silently gazing out the window at Earth, that the actual legacy of humanity's attempts to step into space will be a better understanding of our current planet and how to take care of it.

So much of what we said sounded crazy, yet none of it was false... as if two theoretical physicists stood on stage to say that when we travel near lightspeed, we get younger than nontravellers; that a mile of space next to the sun is differnt than a mile of space next to the earth because the sun-mile space is curved more than the the earth-mile. Silly ideas, worth the admission price in smiles, but they're true. Is high-energy physics interesting because it's true or because it's crazy?

Now, space has its own unique smell. So whenever a vehicle docks, or if guys are out doing a spacewalk, the smell of space when you open up the hatch is very distinct. It's kind of like a burning-metal smell, if you can imagine what that would smell like.

We confuse ourselves with space-time events, when in fact we are the ones who generate these space-time events.

In my mind, public space travel will precede efforts toward exploration -- be it returning to the moon, going to Mars, visiting asteroids, or whatever seems appropriate. We've got millions and millions of people who want to go into space, who are willing to pay. When you figure in the payload potential of customers, everything changes.

There is a single general space, a single vast immensity which we may freely call void: in it are unnumerable globes like this on which we live and grow, this space we declare to be infinite, since neither reason, convenience, sense-perception nor nature assign to it a limit.

We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.

It is false to speak of realization. What is there to realize? The real is as it is always. We are not creating anything new or achieving something which we did not have before. The illustration given in books is this. We dig a well and create a huge pit. The space in the pit or well has not been created by us. We have just removed the earth which was filling the space there. The space was there then and is also there now. Similarly we have simply to throw out all the age-long sanskaras [innate tendencies] which are inside us. When all of them have been given up, the Self will shine alone.

Not so many years ago there was no simpler or more intelligible notion than that of going on a journey. Travel -movement through space -provided the universal metaphor for change. One of the subtle confusions -perhaps one of the secret terrors -of modern life is that we have lost this refuge. No longer do we move through space as we once did.

Look out into the July night, and see the broad belt of silver flame which flashes up the half of heaven, fresh and delicate as the bonfires of the meadow-flies. Yet the powers of numbers cannot compute its enormous age,—lasting as space and time,—embosomed in time and space.

In the consciousness of eternity, time is not, neither is space. In man's consciousness there appears so much mercy, so much love, that these have been called time and space.

When man sends colonies into space, he will be able to mount moveable, sun-reflecting mirrors to simulate rhythms of day and night and even the terrestial seasons...But he doubtless will follow the longstanding American habit of thinking that outer space should, as much as possible, resemble Southern California.

My architectural education is way, way incomplete, but if you're in a beautifully designed space, it can change the way you see and the way you feel. The same way great movies and great music can immerse you, so can a space.

My interest in the space program has a certain purity to it because I recognize the romance of it but I was never seduced by it. That allowed me to view it through a more purely scientific lens. My interest in space while in school came about through my scientific activities.