Top 1200 Same Page Quotes & Sayings

See... Relationships are hard, man. For order, for any relationship to work, both people have to be on the same page, both people have to have the same focus, and we all know what that page is. We all know what that focus is. In order for the relationship to work both people have to have the same focus, and what's that focus? That focus is all about HER! It's all about her!

Everybody was on the same page. Nobody has really gone out there on a different musical journey. When we got back together again, we all wanted to do the same kind of music.

I have a lady, she's a great lady. I love her a lot, she loves me. We're on the same page. Whenever that day happens when we're not on the same page we'll move forward with it. We're interested in having our lives be our lives right now and not a third person's vis-a-vis marriage and whatever that means.

There's so much active misinformation and it's packaged very well and it looks the same when you see it on a Facebook page or you turn on your television. If everything seems to be the same and no distinctions are made, then we won't know what to protect.

I've always thought that if my death was imminent, I would read. When I can't focus on a book, I tend to keep reading the same page. My guess is, I would've read, like the first page of Nicholas Nickleby over and over again.

You shouldn't marry unless the both of you are on the same page on a lot of things. Life is going to deal you blows, and you have to be together. Your values and priorities have to be on the same page; otherwise, it won't work.

The enemy is not the badly written page; it is the empty page the great advantage of a badly written page is that it can be rewritten. It can be improved. A blank page is zero. In fact, it’s worse than zero, because it represents territory you’re afraid, unwilling, or too lazy to explore. Avoid exploring this territory long enough, and you’ll abandon your book.

You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.

We might be on the same page, but I wasn't happy about reading it.

I'm usually more concerned with how things sound than how they look on the page. Some people write for the page, and that's a whole other thing. I'm going for what it sounds like right away, so it may not even look good on the page.

I would say the most important aspect of direction is that you, as a director, and your producer need to be on the same page, the same line of thinking. If that doesn't happen in the beginning of the film, then that will show in the final product 100 percent.

Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it. Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page going in.

I need to be on the same page as the director.

Everyone is on the same page and putting their best foot forward.

It's always best when everyone in the group is on the same page.

The definition of a page-turner really aught to be that this page is so good, you can't bear to leave it behind, but then the next page is there and it might be just as amazing as this one.

When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.

If we're all on the same page, no one's reading the whole book.

As an actor, my No. 1 focus was to be on the same page with the writer, director, and producers.

Just as music comes alive in the performance of it, the same is true of mathematics. The symbols on the page have no more to do with mathematics than the notes on a page of music. They simply represent the experience.

At times I believed that the last page of my book and the last page of my life were one and the same, that when my book ended I'd end, a great wind would sweep through my rooms carrying the pages away, and when the air cleared of all those fluttering white sheets the room would be silent, the chair where I sat empty.

A strong working relationship requires every participant to be on the same page.

The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.

Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.

Most established comic writers have a fixed style or methodology, so what you get on page one of the first issue is about the same for the last page of the series.

Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.

A pen is different from the pad, the key, moving your fingers across a screen. I like both. I like to work on sketchbooks, big old white sketch paper. I like how that feels, and I like to put different media on it. Then there's the phone, smartphone, iPad: It's the new page, and it's not the same page anymore.

I have a sustained interest in frippery. I can't refute the monster accusation, either. Some writers are awful on the page and kind in person. More often it's the other way around. I'd say I'm probably the same amount of asshole on the page as in life. I do try to be entertaining about it, however - in both places.

I used to say Page Joseph Falkinburg - which is my given name - when Page Joseph Falkinburg stopped trying to be this over-the-top professional wrestler, Diamond Dallas Page, and Diamond Dallas Page became Page Joseph Falkinburg, that's when my career took off.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.

Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.

Every page of content you've created could be the first interaction with your web site.Think of every page as a home page.

What I try to do is make sure that the directors I'm working with are on the same page and want to do the same kind of films. You can really protect yourself as an actor if you work with really good people. It can hide a lot of flaws along the way.

I can't go on to page two until I can get page one as perfect as I can make it. That might mean I will rewrite and rewrite page one 20, 30, 50, 100 times.

There are other people who think they know everything and it goes back to the same formula, but I'm not with them. I'm not the same as everyone else and every single day I'm writing a new page in history.

A philosophy is important so that everyone is on the same page and there's a consistency of message.

I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.

Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.

I'm trying to grow. I don't want to stay on the same page.

When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.

It's nice to have worked with someone for so long that you're always on the same page.

I've never been on Facebook. My page is run for me. It is the same with Twitter.

We've got to get everybody to sacrifice, be on same page, be a team.

I'm not doing no more 'Flavor of Loves.' I'm trying to grow. I don't want to stay on the same page. You can't stay on the same page in order to get to the next chap.

The bigger the budget, the more people that you have to coordinate and it's not easy to do that always because, not only do people have trouble communicating in that way, but often there are internal disagreements and everybody is not necessarily on the same page. Even in a big-budget movie with famous actors and directors, everybody could be on a completely different page. The director has to figure out a way of getting everybody on the same page, more or less, and keeping them there.

With a book you can read the same paragraph four times. You can go back to page 21 when you're on page 300. You can't do that with film. It just charges ahead.

I'm bored with the same genre, the same remakes of things. I like original ideas and high-concept things where it's off the page and kind of fantastical.

As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.

It's important when you're coparenting to make sure that you're on the same page.

You know, what is team chemistry? My opinion is when you have enough people who care about winning and enough people who losing affects. That's what chemistry means to me. It doesn't necessarily mean you're going to win, but you're going to have enough people on the same page. It's almost impossible, I think, to get everyone on the same page, but it's gotta mean something to you.

Keep writing. Try to do a little bit every day, even if the result looks like crap. Getting from page four to page five is more important than spending three weeks getting page four perfect.

We've all got to get on the same page.

One of the more popular activities was “Talk-O-Matic”. Five people at a time could write messages, and read each other's messages, on the same screen. Today, Internet chat rooms work on the same principle. One of the remarkable new features of this page was that you could log in with an invented name, and pretend you were anyone you wanted - any name, any age, any gender. One favorite trick was to log in using the name of someone else already logged into the page, simply to confuse everyone else.

If there is a Like button in a page, Facebook knows who visited that page. And it can get IP address of the computer visiting the page even if the person is not a Facebook user.

I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.

We [with Frank Moore Cross] have the same fervor, the same passion when in front of us is a page, a unique page - every page is unique - of the Pentateuch.

You don't have to be best friends as basketball players but I do believe in chemistry. I think it makes everything different if a team is really together and they're all on that same page. They might not like each other, per se, but if you're on the same page and the chemistry is there, you can play great basketball. You can go back to teams like Detroit, the Bad Boys. Those guys had great chemistry, that's why they won.

Winning is about having the whole team on the same page.

You have to enjoy winning and being part of a successful team, just being a young bloke. But at the same time you want to be back page and not front page news and be spoken about for your cricket and contributing to winning rather than getting it wrong on a night out.

When we're onstage, it's like mind reading: we're on the same page.