Top 1200 Saw Movie Quotes & Sayings - Page 6

You put a movie star or a bunch of movie stars in a movie, it doesn't mean people are gonna go see it. It's been proven time and time again.

I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.

Dhanush is a movie star, but like my father, he's very different. In fact, I saw a lot of my father's qualities in him. He's simple, down-to-earth and respects his work a lot.

I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.

Within my own life, I read all the beloved novels by lamps of vegetable oil; I saw the Standard Oil invading my own village, I saw gas lamps in the Chinese shops in Shanghai; and I saw their elimination by electric lights.

I never studied dance, but if you look at 'Wild At Heart,' my mother saw that movie and said, 'You are a dancer. Look at how you're moving: all that strange energy is like modern dance.'

You just make the best movie you can and hope for the best, because you don't have any control over what happens with the movie, whether the movie is misinterpreted.

I saw 'Tintin' in Europe - it is 'Indiana Jones' on steroids. Unbelievable. What a fantastic movie. Steven Spielberg, you rock the house. And working with those young English guys like Edgar Wright, and also Peter Jackson; what a great combination.

Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.

I saw A Little Romance [and] I was so in love with Laurence Olivier. I watched that movie over and over and just fell in love with love.

My favourite movie is '3 Idiots'. It's a Hindi movie and I also have a great collection of Hollywood movies and my favourite movie is 'Vertical Limit.'

The hardest I've ever laughed in a cinema was at 'Silent Movie' by Mel Brooks. I was 12-ish and I actually fell out of my seat. I saw it 10 years later hoping for the same hilarity but it didn't happen. I'm not sure if that's because of me or the film.

'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.

Most Americans acquire dogs impulsively and for dubious reasons: as a Christmas gift for the kids. Because they saw one in a movie. To match the new living-room furniture. Because they moved to the suburbs and see a dog as part of the package.

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?

The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.

I got a movie I'm working on. 'A Gangsta's Pain' was actually supposed to be the soundtrack to the movie, but it got a little delayed, so the movie is going to come out after the fact.

The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.

Oh, 'The Thing' is one of my favorite movies of all time. That changed my life because I was like, 'I've got to do this.' Something that scared me that much? It was the first R-rated movie I ever saw, and I was like, 'Dude, I'm changed.'

I'm a dancer. I used to dance. I'm not a stunt girl. I had to learn for 'Kingsman,' and I think the movie had an impact in that way where people saw me and thought I can do action. Which I can; I can learn.

Christmas is relentless. It's around the clock. I sit with my little ones in front of the TV screen, and we watch movie after movie after movie.

When I was a kid, you went and saw movies. You knew very little about the actor's personal life except what would be, like, in Photoplay or something. We didn't hear "The Making of..." every single movie, and actors didn't have to put this tremendous piece of work that they'd done into a sound bite.

I wanted to do something raw and raucous and R-rated. But then 'Middle School: the Worst Years of My Life' came to me. One reason I took this movie on is because I saw it as a really great opportunity to revisit my own past through this character.

Premieres are pretty fun, but probably the most fun was when I went to see 'The Lord of the Rings: The Return of the King,' and I'd just flown in from Africa, and I hadn't even seen the movie yet. So, the first time I saw it was at the premiere. It was really fun.

Some filmmakers set out to re-create the theater experience they got on Broadway. They kept everything the same. They shot the original casts. We reinvent the whole thing, look at it solely as a movie. We pretend that nobody saw 'Chicago' or 'Hairspray.'

I'll be honest, I never saw myself making a ninja movie, never entertained the idea. I think ninja films can be quite cheesy unless you do them in feudal Japan.

I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.

Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.

I really do think that if for one week in the United States we saw the true face of war, we saw people's limbs sheared off, we saw kids blown apart, for one week, war would be eradicated. Instead, what we see in the U.S. media is the video war game.

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.

I think 'Baywatch' will be a summer blockbuster, and I'm not just saying it because I'm in it. I saw a bunch of scenes right now, and it's the funniest movie ever. Dwayne and Zac Efron have the best chemistry, and I come and interrupt their chemistry.

A movie is like a tip of an iceberg, in a way, because so little of what you do in connection with making a movie actually gets into the movie. Almost everything gets left behind.

But it was Valentine. I saw him. In fact, he had the Sword with him when he came down to the cells and taunted me through the bars. It was like a bad movie, except he didn't actually twirl his mustache. - Jace Wayland

I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.

I read a book called 'Transatlantic', which is a history of the great shipping lines. Also, of course, I had read about the Titanic and saw Leo drowning at the end of the 'Titanic' movie and all that stuff.

I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.

An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.

I saw -- with shut eyes, but acute mental vision -- I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half-vital motion.

Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.

Then I saw it. I saw a mom who would die for her son. A man who would kill for his wife. A boy, angry and alone. Laid out in front of him, the bad path. I saw it. And the path was a circle. Round and round. So I changed it.

They [Seth Rogen and Evan Goldberg] thought of this brilliant pot, or whatever, movie [Pineapple Express], an action movie and I guess they figured in a small role for a blonde. And they say that I did my part well. I added tears to the movie.

I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.

I'll be honest - I never saw myself making a ninja movie, never entertained the idea. I think ninja films can be quite cheesy unless you do them in feudal Japan.

I once saw professional soccer up there in Seattle, the Sounders. I went and saw that. I'm not a big soccer fan, but watching a live game is unbelievable. And then I went to Italy and saw a soccer match; it's something everyone should do once. It'll blow your mind.

Robert Duvall saw me playing at a restaurant in Louisiana and invited me to be an extra in his movie 'The Apostle.' He gave me a guitar for my sixth birthday, and I thought that was the coolest thing in the world.

I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.

If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.

When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.

'Evil Dead' was such a big movie in my life. It's one of the few that I really remember when I watched it for the first time. I mean, I don't remember when I first saw 'The Empire Strikes Back,' and it's one of my favourite movies.

When I was about 10, I saw Timothy Bottoms in a tele-movie called 'A Shining Season,' and it really moved me. I was maybe 8 or 9. Timothy played a runner who had cancer, and he defied the odds by coaching a girls' team to victory.

I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

I remember the first time I saw Robert De Niro at a party. I didn't want to run over and shake his hand. I wanted to admire him from a distance. Later, I ended up making a movie with him, and that was fantastic.

I learned so much about myself from reading this script and doing this movie [Shelter] because the level of judgment and the lack of humanity I saw in myself was disgusting. I never took into account what a homeless person might have been through.

My dad and I would go to Blockbuster and look for Asian films and we could never find any. If we saw a Jackie Chan movie we would watch that because it was so comforting to see a face similar to ours.

When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times.

If I ever get looks on the street, which, for the record, is almost never, it's rarely because they think I'm someone they saw in a movie. More often someone sees me and thinks, 'Hey, was that guy my waiter the other night?'

What I saw when I was a child was my father who was a pilot, and because of circumstances was thrown into the political system, and all I saw when was small after my grandmother died was my father in constant - constant combat with the system in India, and then I saw him die, actually.

I guess they still show the movie in school, so around the time of movie showing, my Facebook inbox and my Instagram DM is flooded. "Are you the Quindon Tarver from the movie Romeo + Juliet? Oh my god, you did a great job."