Top 1200 Shooting Quotes & Sayings - Page 16
Explore popular Shooting quotes.
Last updated on December 25, 2024.
Shooting in Brooklyn is like opening a time capsule. Nothing has changed. Everything looks like it did in the eighties.
When you're shooting, there's terrible pressure, and you never switch off. Every day is like the day before an exam; it's relentless.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
Nothing is impossible to kill. It's just that sometimes after you kill something you have to keep shooting it until it stops moving
I'm not a method actor, but I'm affected by the life I share my life with during shooting. It's always a very strange and special period for me.
If we're not shooting, if we're not filming, if you're not standing on the soundstage, turn off your phone and go live your life.
I think it's very dangerous for an actor to take [shooting] too seriously because I think it could really damage you if you do that.
You can't get around the image of people shooting at people toprotect their stores and it working. This is damaging to the [guncontrol] movement.
For several years at the University of Virginia, students had an annual tradition of raising hell around campus, burning tar barrels and shooting pistols into the air.
Having worked with Sarah Paulson on 'American Horror Story: Hotel' and seeing the lengths she goes to when shooting a scene, you go, 'Oh, so that's what this is going to be like.'
I think I'm a shooting guard and a point guard, to be honest with you.
By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.
I am who I am, in terms of shooting from the hip occasionally.
Sometimes without shooting a picture germinates in your head. Other times, you keep taking pictures of the same thing and watch the images mature and grow.
I lost ten pounds while shooting 'Faults' somehow and by the end of the shoot people were basically handing me stuff to eat in between takes.
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
My grandma tells me, 'Do you focus when you're up there?' I'm like, 'Yeah, I think about shooting a free throw.' I don't miss them on purpose. I promise, I'm not betting on the games.
In 1975, I went to the Dominican Republic for eight months during the shooting of a film based on my novel 'Captain Pantoja and the Special Service.' It was during this period I heard and read about Trujillo.
One of the challenges obviously with doing an accent from a time period early in history is that there aren't recordings. You would never really get the opportunity to hear exactly what you were shooting for.
Without the right marketing metrics, you are shooting in the dark. The only way to know if things are working for you or not is those metrics.
As an actor, if you want to while shooting, you can run back to your trailer and take a nap. But you cannot do that while directing.
But being on location and shooting, whether its in Puerto Rico or Atlanta, it always reminds me of how really cool my job can be. Interacting with the fans is one of the best parts of it.
We are breaking new ground in the territory of dumb with Shooting Fish. Dumb, but in good taste. Silly, but not ridiculous.
Stop making the same games about shooting something and driving; try something else. There is a market for that.
I like the idea of chance coming into filmmaking, in shooting, in editing, and I do make space in my rules of game for chance.
When you're dealing with shooting a lot of live action in 3D, you're committed to how much 3D you're giving the audience.
When you have a good anything, you notice the difference - whether it's a good shooting sleeve or a pair of shoes or a jersey, we all feel the differences.
A general and a bit of shooting makes you forget your troubles ... it takes your mind off the cost of living.
At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.
Even if you're doing a film, you're in the news while the shooting is on and during promotions. But once it's over, the limelight fades away, and you wait for something better to come your way.
Kurt Russell... he is a bloody legend. I have idolised him, and to chill with him on the sets while shooting was an incredible experience.
I had this crazy trajectory. I went from literally living in a hostel in L.A. at the beginning of 2015 to shooting 'Stranger Things' at the end of 2015.
I've been shooting movies and television shows for now 47 years and I've worked with the best of them and [Kirk Douglas] is the only movie star I ever met.
I'll miss the comments from the people on the street who love the show and who have felt its impact on the culture. I won't miss the shooting schedule, though!
That pressure of shooting a fragrance campaign can be quite intense, because there's a lot of people involved and the stakes are quite high.
I don't read 'genre' fiction if that means novels with lots of killing and shooting. Even Cormac McCarthy's 'No Country for Old Men' seemed pretty childish in that regard.
When you're fast when you're shooting, there are great things that you discover. By being fast you also sometimes get more time to experiment.
Its easier to get to the top when youre shooting for the top.
I found my father's Super8mm film camera when I was around eight years old and started shooting with it. I had no idea what I was doing at the time, but that's really where my filmmaking began.
You know, life is long. My shooting career is long.
It's interesting, the things you learn when you're 21. I learned never to get tattoos in the middle of shooting a movie. Because if you're not Angelina Jolie or Megan Fox, they will fire you.
I don't expect an overnight change of all desktops to what the US Military used to call B3 level security. And even that would not stop users from shooting themselves into the foot.
I understand the protests, but not the shooting and the attempts to bring down the state. We cannot allow hatred to control our lives. We must remain unified to defeat this evil.
I think I spent my whole childhood diving out of haylofts with my BB gun and coming out shooting.
I still do a weekly opinion column for the Miami Herald, and it's like shooting fish in a barrel. Rotten fish.
I can sing better after shooting smack in both arms than after eating too much.
I am protecting my personal life because for me, that's my sanctity. When I am done with shooting and home, that's my reality check.
'New Girl' was a wonderful experience, but for seven years, we were shooting single-cam that is not handheld, that is traditionally shot, and they're asking you to improv, and you're on location. It's a real grind.
When I was 16, I made some little 35mm documentaries about the poor in London. I went round Notting Hill, which was a real slum in the 1950s, shooting film.
Every day in normal training, I'm trying to score more. And after training, I stay to practise my shooting as well.
Nothing is cut while I'm shooting. I edit between nine months and a year, and usually have around 80 hours of footage I have to get down to an 82-minute movie.
I'd rather be a shooting star than a fading star.
Four months of preparation and about 12 hours of shooting turned into about 30 seconds of screen time.
I can do something for 30 days or 50 days. I can program myself, but I can't give my year for a shooting. No, I will die. I can't handle it.
Gabriel Batistuta. He was a spectacular No 9 - great at finding space, shooting from outside the box, good in the air. He was always a reference for me and I used to watch the way he played.
You have to know what you're shooting. Don't just make your movie in the editing room and just get everything you can on the day.
Once the shooting starts, we don't mind whether it is 43 degrees plus or minus 6 degrees: we just keep working.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
These gun-free areas are actually - they're free-shooting zones for people because they know that there won't be anybody there that can stop them.
Used to be that my whole body was my canvas-hot cuts licking my ribs, ladder rungs climbing my arms, thick milkweed stalks shooting up my thighs.
