Top 1200 Silent Movie Quotes & Sayings - Page 13

The only movie I can watch on a loop, over and over, is 'Help', the Beatles movie. It's so funny and irreverent and great.

There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie.

You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'

The Road was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I never knew how much you had to do to promote a movie, and I can't imagine what it would be like if you didn't like the movie you were promoting.

When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.

I think it is so much more fun to discover film in the movie theatre when there is so much anticipation about the movie.

I don't walk around like I'm a movie star because I don't think of myself as a movie star. People usually don't even notice me.

To be silent is to be complicit.

This love is silent.

A movie is the product of the chemistry of the people that make it. Whatever that core group of people is, that becomes the DNA of the movie.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

When you're in Los Angeles, everybody you meet is writing a movie, and they want you to be in it. Every cab driver is writing a movie!

I'm in awe of directors like the Coen brothers who can shoot their script and edit it, and that's the movie. They're not discovering the movie in postproduction. They're editing the script they shot.

To be silent is to be passive.

The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.

Alec Guinness classed up that movie [Star Wars]. Nobody else in that movie knew how to act. Nobody else had a clue of what they were doing. The young guy was a complete loss, absolutely couldn't act his way out of a bag, but Alec Guinness carried that movie. He was such a class act that it elevated the film to be a joy to watch.

I had read the scripts that Nora Ephron had written as a movie about Mike McAlary. We were never able to make it at HBO because we couldn't cast it properly and when I left I called Nora and said, "Look, I actually think that the movie luckyguyindustry has changed. It's very unlikely that you'd be able to make this as a movie. I actually think it's a play."

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.

There's some kind of actors that can radically change who they are from movie to movie. I've never really been that kind of actor. I enjoy changing the worlds that I'm in.

Sometimes it's funny for me to just pretend I'm a movie character, and think what would you do if this was a movie? Or, what would you do if you were one of your icons?

When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.

I was just like, "I want to make a decent 2-D movie." I was so worried that, instead of being a decent 2-D movie, it would have been a bad 3-D one.

If I can make a dance-based movie like 'ABCD', then I was sure I could make a superhero movie, too.

If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.

The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.

The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.

It can really vary from movie to movie what the producer's role is and there are all kinds of producers. There are line producers who do a lot of the nuts and bolts work on the set.

I was fired from a movie because I did 'Heathers!' I was cast in a movie, and the director saw an advance screening and was offended by it and fired me.

I think the location is almost as important as casting the leads of the movie. The location on The Purge was crucial to that movie working.

He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.

I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.

It was Britney's movie. I liked that movie. It didn't get too much love, but a lot of people really liked it.

I grew up on movie sets, I'm comfortable on sets. A movie set is like a circus. I don't understand why moviemaking has to be such an insane environment.

Our kids seldom even get to see a movie. When we go to a movie, it's an event - and we make it an event.

If the movie works, nobody notices the mistakes... If the movie doesn't work, the only thing people notice are mistakes.

WWE prepares you for everything in entertainment. It's the truth. You need a host? Get a WWE Superstar. You need someone for an action movie, a comedy movie, a drama movie, you get a WWE Superstar. Because these guys are the most well-versed, well-trained, and hardest working guys out there.

I think the location is almost as important as casting the leads of the movie. The location on 'The Purge' was crucial to that movie working.

God help me if I ever do another movie with an explosion in it. If you see me in a movie where stuff is exploding you'll know I've lost all my money.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.

Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.

What should our second generation have done, what should it do with the knowledge of the horrors of the extermination of the Jews? We should not believe we can comprehend the incomprehensible, we may not compare the incomparable, we may not inquire because to inquire is to make the horrors an object of discussion, even if the horrors themselves are not questioned, instead of accepting them as something in the face of which we can only fall silent in revulsion, shame and guilt. Should we only fall silent in revulsion, shame and guilt? To what purpose?

I think that making a movie is not just making the movie - it is also about having thoughtful ideas and embracing all the aspects of its launch.

I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?

'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

I always say the movie came out good if they want another one. That always tells me that people really liked the movie.

I start with the music before I start writing the movie. It's such an important part for me, emotionally, to set up the tone for the movie.

When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?

'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.

I think Alone in the Dark was too much an action creature movie than a horror creature movie.

If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal.

I don't know a single person that's like, ''Avatar' is my favorite movie.' It never even comes up. I don't know anyone that will defend that movie.

I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

I have the best-ever body in 'Badrinath.' I have a six-pack body in this movie. I spent eight hours a day working out for the movie.

I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.

Can thought be silent?