Top 54 Slasher Quotes & Sayings

Nobody's favorite movie is some dark, dysfunctional slasher story. Everybody's favorite song is a sentimental song. So why all of a sudden is it bad to be sentimental in books?

What you don't want is for violence and gore to become more important than character and structure. A lot of slasher movies from the eighties were only focused on violence and gore, which robs the human beings in the story of any empathetic reaction from the audience, and instead makes them cheer for the gore.

I've never done a horror movie, like a full-on gore slasher film.

I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.

I actually don't like slasher movies.

Slasher movies are fun. You watch yourself get chopped to pieces, yet you're still alive. You see the blood on the ax and think, Holy **it, this is sick, but you kind of get over your fear of death.

All these horror movies are slasher film now. I like them, they're fun, but they wink at the audience and you're really not terrified through the movie.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. Although I do like 'The Last House on the Left,' and things like that, I do like these ridiculous monster movies.

'Ravenswood' is horror. It's not slasher, but it's psychological and spiritual horror.

I really do like a really good science fiction movie and a really good horror movie. Those are the kinds of things I really like. But, I mean, I'm not into sort of like slasher movies. I like a really good science fiction movie, which is hard to do. They don't make many really good ones any more.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

I do like sci-fi, and I do like horror - those are my favorite genres. Good horror, though, not like slasher horror... psychological horror like 'The Shining' - really good stuff!

It is so hard nowadays to find a movie that I like. I don't mind blood and gore. But I mind when its a slasher film, and its some guy looking for women. I am opposed to that kind of thing. Blood and gore? I love that kind of thing.

I'm inspired by fashion. I'm inspired by the moonlight. I'm inspired by sex and pornography and slasher films.

I don't personally like slasher movies that make you scream in the movie theater.

When you do a slasher film, you find yourself repeating the same kind of scene, then it becomes not very challenging and not very interesting.

In Europe, there is no horror movie. It's very hard to make a slasher or gory movie. There is no audience for that.

What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.

I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.

Medieval theologians used to dispute how the angels in the heaven spent their time, when not balancing on needle points and singing anthems to the Lord. I know. They slump glued to their clouds, glasses at the ready, as the Archangel Micheal (that well-known slasher) and stonewalling St Peter open against the Devils XI. It could not be Heaven, otherwise.

What I like is horror movies, including '80s slasher movies that politically I have all kinds of problems with. Which is an interesting balance, because I have this leftist puritan strain that, well, if you like something that goes against your politics, maybe you should train yourself not to like it. But I know that I like horror movies and that's what I watch when I get a moment.

I really geek out with horror and like to delve into the subgenres, whether it's comedy or slasher or sci-fi.

I'm less interested in slasher, and go more for roles that can affect you on a personal level. I'm interested in human empathy in the movies I see, and in the ones I am a part of.

I'd never imagined myself writing at all until I was almost 30. And horror films weren't to my taste, at least the super popular (slasher-y) ones of the day back then. The first novel I ever loved as a kid was Frankenstein, and I was always a crazy Hitchcock and Polanski fan... but I never saw myself - a square spazzy girl from the suburbs - writing anything that would horrify anyone. Or so I thought.

I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.

I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.

The normal storyline of a horror film or a slasher film is the young, beautiful college folks go camping and get systematically killed by the person in a mask. So that's how it normally is.

In April, God speaks to us in the seas whose rhythmic murmuring fills our ears from a long way off. It was in April that the Titanic went down into the deep to lie like a slasher's victim, bleeding the 'debris field' - its passengers' personal possessions, the everyday things of everyman and everywoman - across the ocean's floor.

Slasher Hathaway marks his territory by spending money. He might as well have pissed on her. It means nothing.

Well when I hear 'slasher' I think about the 80s.

I'm not a big fan of horror movies, especially the recent teen-slasher sort of ones.

In a way it was a modern story but it played to all those 1980 slasher movies. We did the same thing with this. Patrick wanted to do a 1970's road movie and if you'll see, this is a modern story but it's got so much 1970's in your face feel to it. So that was the point, to take that stuff that we loved growing up and sort of do it for today. I think we accomplished it. We'll see.

It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.

I do think a lot of sexual violence stems from experiences in childhood or at puberty. Some people become sadistic after suffering early abuse at the hands of parents, relatives or friends. But for others, the seed is planted in the formative years by the conflation of images of violence with those of sexual arousal. Magazines, TV shows and, especially, slasher movies are masters at doing this.

I get offered a lot of the same type of thing... The teenage slasher movies.

I'm not a big slasher film fan.

I don't like the slasher stuff, myself, but I do like the psychological horror of Roman Polanski and that world. But, it's curious to me why people do like to be afraid.

I think there's as much violence, in a way, as a scene with two women having a cup of coffee in a Ruth Rendell novel - in terms of emotional violence and the violence you can inflict with language - as there is in the most graphic kind of serial killer/slasher novel you can think of.

Horror is fascinating because it's so seasonal and it's like you've got these periods where slasher movies are in and it's like everyone loves them. Next thing you know zombies are in. Then vampires are acceptable.

I'd like to see a slasher movie set in the depression.

Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies. It's the ones that deal with the inner fear: the unknown realms and the mysticisms that are scary.

When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.

I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.

I am very, very anti-slasher.

Psychological horror I've always appreciated, like 'Rosemary's Baby.' The slasher movies and the grotesque movies are the ones that I've really been off for a while.

I know with my size, a lot of people might think I'm like a slasher, a make-you-miss guy, which I can do that. But I also like to lower my shoulder and get the tough yards, too. I like contact. I like to mix it up.

I do believe there's been a lull of slasher films. There have been a few that I guess would fall under the genre of slasher. Like You're Next, which I thought was fun. There have been a few really good slasher films, but for the most part, that's sort of died away at the moment.

Usually I don't find gore or slasher films scary. What works for me is the slower build where you are tightening the noose around the situation until you are running out of options and then really have no idea what to do.

Hannibal Lecter stole Leatherface's mask and ported the slasher conventions into the thriller for the early '90s.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

The slasher film is such a neat, self-contained genre.

I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is The Shining. I don't really like slashers, but I love thrillers with tension.

Why couldn't there be even a western slasher, or why couldn't there be a serial killer in a kind of pirate buccaneer Caribbean, just someone that's just doing terrible, terrible things in the ports, the sexy ports of Jamaica during the Pirate Renaissance.