Top 1200 Sound Sleep Quotes & Sayings - Page 17

I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.

We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'

I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.

When I was council president I had a rule that people could sleep on the job. I modified the rule. You could actually sleep in public if you weren't sitting down. I had three people who actually perfected the art of sleeping while standing.

What you people who weren't yet born can never know is what it meant to sleep in cities under silent falls of snow when all night long the only sounds you heard were dogs that parked at trains that passed so far away they took a short cut through your dreams and no one even woke. It was the war that changed that. It was. After the Great War for Civilization - sleep was different everywhere.

And the sound of your heart," he continued. "It's the most significant sound in my world. I'm so attuned to it now, I swear I could pick it out from miles away. But neither of these things matter. This," he said, taking my face in his hands. "You. That's what I'm keeping. You'll always be my Bella, you'll just be a little more durable.

I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.

The Florida sound would probably be best defined as heavy bass with high energy dance records. There's a strong Caribbean heritage in Florida which features a lot of uptempo music, and the music accents the sexy, body-oriented sound.

I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.

I don't like no fancy chords. Just the boogie. The drive. The feeling. A lot of people play fancy but they don't have no style. It's a deep feeling-you just can't stop listening to that sad blues sound. My sound.

When you go to bed at night, you get seven or eight hours of sleep. I've had enough sleep. I've rested, and it's as simple as that. I want to do it now. I didn't want to three years ago. I was waiting until it felt right. I wanted to get back to falling in love with my guitar again, and hanging out with my guitar like I would a friend.

It's like having a conversation. Doing beatbox for me is as natural as talking is for someone else. Sending sound through a certain part of my throat, so that I am accurate every time. It's not like whatever happens happens, this is a focused sound.

Go to sleep, baby,Mama will sing. Of blue butterflies, and dragonfly wings. Moonlight and sunbeams, raiments so fine. Silver and gold, for baby of mine. Go to sleep, baby. Sister will tell, of wolves and of lambs, and demons who fell.-Pierce's Lullaby Kim Harrison (Black Magic Sanction)

I don't want to sound like Ross; I don't want to sound like Puff. I want to make my own music: French Montana.

My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.

I hate being awake at three in the morning. It is the godforsaken heart of darkness when the body runs slow, and the brain runs slower, and all you want to do is sleep. But I had promises to keep, and miles to go before I could sleep. Or at least a couple of miracles to perform before I could go to bed.

I don't know rap. I can't tell you a Tupac song. But you put on some go-go, and I'll know it word-for-word. That's why I feel like I got my own sound - or a D.C. sound.

I've learned there are a lot of people that don't want to believe the Holocaust ever happened because it doesn't fit their other beliefs and so they deny it and it makes them sleep better at night to do so. But it makes the Holocaust survivors sleep better at night to know that we've given them a voice.

The R.E.M and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. R.E.M and Nirvana don't sound like anyone else.

With Metavoid, I wanted to move forward with the Lustmord sound, rather than recreating past works such as Heresy or Black Stars, I wanted to create a sound that was new, but which was also unmistakably Lustmord. It's for others to decide if I failed or succeeded.

I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.

When I dance, I dance; when I sleep, I sleep; yes, and when I walk alone in a beautiful orchard, if my thoughts drift to far-off matters for some part of the time for some other part I lead them back again to the walk, the orchard, to the sweetness of this solitude, to myself.

I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.

Creed's sound is my sound.

Your head is a stereo input. The density and cartilage of your ears embed certain extra characteristics into stereo sound sources. Your brain decodes that and gives you sound plus conscious directions.

I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.

The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.

Death arrives among all that sound like a shoe with no foot in it, like a suit with no man in it, comes and knocks, using a ring with no stone in it, with no finger in it, comes and shouts with no mouth, with no tongue,with no throat. Nevertheless its steps can be heard and its clothing makes a hushed sound, like a tree.

Our yesterdays present irreparable things to us; it is true that we have lost opportunities which will never return, but God can transform this destructive anxiety into a constructive thoughtfulness for the future. Let the past sleep, but let it sleep on the bosom of Christ. Leave the Irreparable Past in His hands, and step out into the Irresistible Future with Him.

I don't know about you, but I have to sleep. I had a long night and I'm exhausted." She was rather tired, too. But as she slid her gaze to the fake leather sofa, she realized it would never fit both of them. Hunter grinned at her. "You take the couch, I'll sleep on the floor." "Can you do that?" "I've slept in worse places." "Yeah, but don't you need a coffin?

I have very vivid dreams - almost always action-adventure. I'm often on the run. I've always had dreams. When I was little, I'd go to sleep with my head on my hands, which were in fists like I was looking through a camera. I felt like sleep was the movies - just drifting off to the movies.

We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?

I think when we do our job right, our artists don't sound like anybody else. I have a real hard time with voices that sound like other big voices.

I came from a generation where women were almost deified, and like Groucho Marx's line, "I wouldn't want to be a member of a club that would have me as a member", I thought, "I wouldn't want to sleep with a woman who would sleep with me!" It took me a long time to work my way through that.

I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.

Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.

I used to wear boxers and a tank top, but now I sleep in the nude. It's kind of weird, because I used to have to wear something to bed, whether it was a tank top or whatever. And now if I have any clothes at all on, it's really hard to get to sleep.

One day in Berlin ... Eno came running in and said, 'I have heard the sound of the future.' ... he puts on 'I Feel Love', by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

The question of being is everything. Nothing could be more important or consequential-n othing where the stakes run so high. To remain unconscious of being is to remain asleep to our own reality and therefore asleep to reality at large. The choice is simple: awaken to being or sleep an endless sleep.

I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.

Do you check it when you travel, do you check it when you're just at home? They'd be able to tell something called your 'pattern of life.' When are you doing these kind of activities? When do you wake up? When do you go to sleep? What other phones are around you when you wake up and go to sleep? Are you with someone who's not your wife?

It depends on the material. Sometimes I sound like him, sometimes not. There are certain tunes we do that are so familiar to the audience that to perform them without making them sound like Frank Sinatra would be wrong.

I'll get up at 5 or 6. I try to catch up on sleep on the weekends, so I'll try to get seven hours of sleep. During the week, my ideal is to go to bed at 9 and wake up six hours later.

It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.

I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works

Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.

We in Africa are always on the receiving end. We have had human slavery, political slavery, economic slavery and now religious slavery. We in the church are saying no. We are prepared to live by what God says, not what you say. Man shall not sleep with man, woman shall not sleep with woman.

It does sound like a science fiction story and I may sound like one of these guys who walks up and down with a sandwich board saying the end of the world is nigh, but the end is nigh.

Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly.

The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.

Yet never sleep the sun up. Prayer shou'd Dawn with the day. There are set, awful hours 'Twixt heaven and us. The manna was not good After sun-rising; far day sullies flowres. Rise to prevent the sun; sleep doth sin glut, And heaven's gate opens when the world's is shut.

People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.

My kids will come to me and ask me to listen to a 'new sound' they think they've discovered. One time it was the Beatles' 'Yesterday,' and the new sound was four strings. All of a sudden the new generation discovers the string quartet!

When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.

I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.

I love the sound of the distant bugle call in the countryside in early morning I love to be pushed in busy crowds I love the sound of gongs and trumpets along the streets I love circus performances I even wish to die in this moment of glorious encounter.

Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?

The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.

For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.