Top 1200 Space Exploration Quotes & Sayings - Page 19

Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.

So few humans seem to fully exist themselves that I wonder if all this endless speculation and haggling about God is really an exploration of a more interesting and embarrassing question about ourselves.

My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.

When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.

For me, I feel like horror space has always been a space of the other, even when it's not people of color or black people. That has always drawn me to it, and I've been a big fan.

I always was fascinated by space and always wanted to learn more about it and wanted to experience it first hand by flying into space. I don't know how it began or where it began. Maybe I was born with it. Maybe it's in my genes.

Gotta keep it peace like a buddhist Nobody gonna Wesley snipe me It's less than likely, Move back, Let I breathe Jedi knight, The more space I get the better I write, (Oh) Never I write, but, if, ever I write, I need the space to say whatever I like.

The ego tells you to fill space. Your spirit tells you to let space fill you.

You could not legally put a human and fly them into space. In fact, you couldn't bring a spaceship back. All those spaceships we were sending commercially into space were one way. You sort of like, got rid of them. And most passengers, who go up, do want to come back down.

To us large creatures, space-time is like the sea seen from an ocean liner, smooth and serene. Up close, though, on tiny scales, it's waves and bubbles. At extremely fine scales, pockets and bubbles of space-time can form at random, sputtering into being, then dissolving.

I'd really love to go for a fourth trip into space with maybe Mr. Duceppe and Mr. Boisclair, and I am convinced, I am convinced that after such a trip, Quebec sovereignty will no longer be an issue. Space travel affects us that much.

I work out of silence, because silence makes up for my actual lack of working space. Silence substitutes for actual space, for psychological distance, for a sense of privacy and intactness. In this sense silence is absolutely necessary.

Literature is man's exploration of man by artificial light, which is better than natural light because we can direct it where we want.

Exploration of closer planets will continue. Only after he exhausts all the resources here on earth will man go further ahead, which is when interplanetary travel may take place.

You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again to revisit the image in a completely different way. I'm interested in that space between text and image. The piece becomes the negative space between the two.

Well, we have two major goals. The most important one is to get the station arm on board the station, because that's this really milestone in the space station building since from now on they will be using this arm to continue building the space station.

On the day a country decides not to invest a cent in innovation, discovery or exploration, that country decides to be a tributary to others.

The cosmos exploded, actualizing its potentiality of space and time. The centers of power, like fragments of a bursting bomb, were hurled apart. But each one retained in itself, as a memory and a longing, the single point of the whole; and each mirrored in itself aspects of all the others throughout all the cosmical space and time.

Knowledge is power-and power of one sort or another is the secret lust of human souls; and here is, beside the sense of exploration, the undefinable interest of a story, and above all, something forbidden, to stimulate the contumacious appetite.

Like in the paintings, there has to be moments that are completely right to be able to feel how wrong it is when the space gets flattened or the space collapses. It's the same with the technique in the sculptures: for some to feel really wrong, you have to have parts be really right.

Space and silence are two aspects of the same thing. The same no-thing. They are externalization of inner space and inner silence, which is stillness: the infinitely creative womb of all existence.

Rockets have remained fundamentally unchanged, except for a few exceptions for the last almost 50 years. So, for there to be a fundamental shift in rocketry and getting into space, there almost has to be a breakthrough in propulsion. Either in how to bring the price down, or how to more efficiently get people up into space and the key barrier is the expense of a rocket.

I love producing my kids and my wife's TV show. I love doing that. I think that's my most natural space in the business. I would say the most natural space for me is producing or editing. That's just where I thrive.

The novel space is a pure space. I'm nobody once I go into that room. I'm not gay, I'm not bald, I'm not Irish. I'm not anybody. I'm nobody. I'm the guy telling the story, and the only person that matters is the person reading that story, the target. It's to get that person to feel what I'm trying to dramatize.

Each of us is a moving center, a space of divine mystery. And though we spend most of our time on the surface in the daily details of ordinary existence, most us hunger to connect to this space within, to break through to bliss, to be swept away into something bigger than us.

In any relationship, especially marriage, be as free of compulsive thinking as possible. In other words, the more space there is in the relationship - inner space - the more love there is because love arises out of the inner spaciousness.

In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time.

Allowing another to be as they are is more what I think of as "space." The space to express yourself and know that you're going to be accepted. That's more where I go than with the actual physical logistics of how much time you have together and how much time you have apart.

I asked: 'What is the meaning of my life, beyond time, cause, and space?' And I replied to quite another question: 'What is the meaning of my life within time, cause, and space?' With the result that, after long efforts of thought, the answer I reached was: 'None'.

Define the space horizontally rather than vertically in movie widescreen, 2.35:1 just having that rectangular shape and when you think of great horror movies like Halloween and Jaws that just really exploit the space so well and I just think we would have so many more opportunities in creating suspense and shocks.

My obsession with outer space is my way of being different. I make astronaut music. It takes an astronaut so long to get to space - that's how long it takes to catch up on my music.

I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.

Hospitality means primarily the creation of free space where the stranger can enter and become a friend instead of an enemy. Hospitality is not to change people, but to offer them space where change can take place. It is not to bring men and women over to our side, but to offer freedom not disturbed by dividing lines.

Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.

I started reading and fell in love with the worlds and characters Lev Grossman created. I'm taken with his exploration of an idealized childhood fantasy through the lens of adulthood, or coming into adulthood.

When you meet the man [Brassai] you see at once that he is equipped with no ordinary eyes. And the sharpness of vision and depth of insight are revealed in Brassai's lifelong photographic exploration of Paris - its people, places, and things.

I was certainly no Maradona. I was a very fast player. When I saw a space, I used it. When I went past somebody, he didn't catch up with me again. I was a player who came with a run-up. What Maradona could see in a small space, I saw over long distances.

I'm trying to manufacture a sleepover feel; like a tree house or a clubhouse. I want people to be silly and play and feel safe and some people, you have to coax them into that space and some people bring me further into that space, even past the point that I wanted to go.

Successful creative adults seem to combine the wide-ranging exploration and openness we see in children with the focus and discipline we see in adults.

Perhaps we need to separate youth from education. Education lasts forever. Youth is the time for exploration, maturation, socialization.

I think some people see those three numbers 9/ 11 and they walk away. That might be changing now. People are more willing to step into an artistic exploration of that subject. All you can do is let it go

If I got the option of going into outer space and hanging out there for a day and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow.

NASA's Office of Commercial Exploration has been concerned about protecting the landing zones where humans first walked on the Moon, and one of my colleagues, ecologist Margaret Race, has been part of their deliberations.

Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.

What matters is not the isolated entity, but the space between things, the relationship of things – the Bond…Every conflict that occurs – whether between husband and wife, social or racial groups – is resolved only when we can fully see and embrace the space – the Bond – between us.

I pray, read the word, and then creative stuff happens here. Problem-solving and all of that comes into that space. So 'Da Box' actually represents my sanctuary and that time. I might look trapped in a box, but I'm actually more free in that box than anyone on the outside looking in or in any other space in my life.

Third person allows a deeper exploration of the relationships between characters. We can see their misunderstandings and hear what they think about each other. We can create a more complex structure with various story threads running parallel.

I think the adoption rate with respect to social media and how companies leverage that varies by the company. Cisco is probably a leader in the space. A lot of times, we actually use virtual ways to communicate our brand and do some of our advertising, first on the social space, then we do on physical advertising.

I like books like 'The Suspicions of Mr. Whicher,' where the investigation of a crime becomes a way into an exploration of the society where the crime took place.

Diamond, for all its great beauty, is not nearly as interesting as the hexagonal plane of graphite. It is not nearly as interesting because we live in a three-dimensional space, and in diamond, each atom is surrounded in all three directions in space by a full coordination.

Ever since the environmental movement was sparked by photos of the whole Earth taken by astronauts onboard Apollo Lunar Modules, I've seen planetary exploration as an extension of a reverence and care for Earth.

Art and power will go on as they have done,--will make day out of night, time out of space, and space out of time.

New Rule: Since our new national position on science is, "Screw it, we prefer witchcraft," let's not just retire the Space Shuttle Atlantis. Let's drive it to one of the five stupidest States and have the locals beat it with sticks. Putting it in a museum is too dangerous. Someone could steal it, fly it into space and notice we revolve around the sun.

Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.

The American experience stirred mankind from discovery to exploration. From the cautious quest for what they knew (or thought they knew) was out there, into an enthusiastic reaching to the unknown. These are two substantially different kinds of human enterprise.

I always call myself a space construction worker. We were only the second mission ever to go to the space station. There was nothing on board. We brought the first three tons of equipment, including some of the Imax camera stuff. We literally switched the light on to the station and walked in. It was an assembly mission.

When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.

In my other books, things do happen, but they are kind of bookends to the real action, which for me was an exploration of consciousness. Not that I don't get into the consciousness of the people in 'The Surrendered,' but you could say there's not as much anxiety about it.

Just speaking for myself, I think the return of people to the Moon has a lot to offer for understanding the formation and evolution of terrestrial worlds; so would the exploration of near-Earth asteroids by people.

I read so much science fiction when I was young. I believe science fiction is the genre for exploration and to learn about possibilities via book.