Top 1200 Spring Poems Quotes & Sayings - Page 2

Explore popular Spring Poems quotes.
Last updated on April 16, 2025.
Spring training is kind of my offseason. I'm preparing for the season, but the workload that I experience in spring is much lower than any other time of year. And so, I enjoy it.
Your poems are of interest to mankind; your liver isn't. Drink till you write well and feel sick. Bless your poems and be damned to you.
In 1977, I wrote a series of poems about a character, Black Bart, a former cattle rustler-turned-alchemist. A good friend, Claude Purdy, who is a stage director, suggested I turn the poems into a play.
Only to youth will spring be spring. — © Ralph Waldo Emerson
Only to youth will spring be spring.
In the Spring a livelier iris changes on the burnish'd dove; In the Spring a young man's fancy lightly turns to thoughts of love.
They know who keep a broken tryst, Till something from the Spring be missed We have not truly known the Spring.
When I'm assembling a book I concentrate as though I were writing a poem. A truly imagined arrangement will indicate gaps and generate new poems. I re-read the new poems in my folder in the hope that this might happen.
Talent is a spring from which fresh water always flows.- But this spring is worthless if no good use is made of it.
If you look not just at the Arab Spring, but at what I call the 'Youth Spring' that has started in Europe, young people are starting to find a voice, and they are not looking to the traditional media to reflect that.
Meanwhile spring arrived. My old dejection passed away and gave place to the unrest which spring brings with it, full of dreams and vague hopes and desires.
I had been writing poems and stories since I learned to make letters. I had placed poems in a hardcover anthology at the age of 6. And I knew more big words than anyone else in the 10th grade.
I always wrote poems when I was a little girl, and I loved hip hop music, and I kind of just started writing poems over beats, and that's when I started rapping.
When somebody's in love with you, they think it's amazing you've written them a poem, and when they don't love you anymore, they hate those poems. They wish those poems would go away.
But now it was spring again, and spring was almost unbearable for sensitive hearts. It drove creation to its utmost limits, it wafted its spice-laden breath even into the nostrils of the innocent.
If you look not just at the Arab spring, but at what I call the youth spring that has started in Europe, young people are starting to find a voice, and they are not looking to the traditional media to reflect that.
I write poems for children to help them celebrate the joy and wonder of their world and to look at their lives from the inside out. I write humorous poems to tickle the funny bone of their imaginations.
New friends may be poems but old friends are alphabets. Don't forget the alphabets because you will need them to read the poems. — © Unknown
New friends may be poems but old friends are alphabets. Don't forget the alphabets because you will need them to read the poems.
The air's warm with hopeful hints of spring in it. Spring would be a good time for an uprising, I think. Everyone feels less vulnerable once winter passes.
whether they write poems or don't write poems, poets are best.
The East and the West in the spring of the world shall blend / As a man and a woman that plight / Their troth in the warm spring night.
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Do you suppose there's any difference between spring in nature and spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both.
Keats writes better about poems than anybody I've ever read. The things that he says about what he wants his own poems to be are the ideals that I share.
I wanted many of the poems to have long legs. At first I was calling them clothespin poems, before I knew what I was doing. The lines seem pulled on either end, tight and taut against the wind.
When I began designing my Spring '13 collection, it wasn't even Spring '12 yet. Snow was actually still on the ground in New York, but I knew I wanted this particular spring season to be freer, more colorful, easier, more about feeling good, and I wanted there to be a sexier feeling than we've been known for in the past.
Do not wish an everlasting spring! Without tasting the winter, you cannot get pleasure out of the spring!
We say that flowers return every spring, but that is a lie. It is true that the world is renewed. It is also true that that renewal comes at a price, for even if the flower grows from an ancient vine, the flowers of spring are themselves new to the world, untried and untested. The flower that wilted last year is gone. Petals once fallen are fallen forever. Flowers do not return in the spring, rather they are replaced. It is in this difference between returned and replaced that the price of renewal is paid. And as it is for spring flowers, so it is for us.
Spring never is spring unless it comes too soon.
Spring, the sweet Spring, is the year's pleasant king
Lizzie Harris's Stop Wanting is an unflinching book about a girlhood filled with violence, doubt, vulnerability, and loss. These gorgeously crafted and hauntingly memorable poems are a bleak place full of life, prayer, and the kind of answers only poems like these can provide.
If you were going to make sculptures of them, the swivel poems would be disparate objects all attached with hinges and the prose poems would be small sheep wrapped in extra wool.
I was writing poems as I was walking. I was able to take that restlessness, that nomadic distraction, and use that distraction in the world and turn that distraction into observations and then into poems.
Spring has again returned. The Earth is like a child that knows many poems. Many, O so many. For the hardship of such long learning she receives the prize. Strict was her teacher. The white in the old man's beard pleases us. Now, what to call green, to call blue, we dare to ask: She knows, She knows!
Spring is beautiful, and smells sweet. Spring is when you shake the curtains, and pound on the rugs, and take off your long underwear, and wash in all the corners.
My earlier poems were sadder than my poems are today, perhaps because I wrote them in confusion or when I was unhappy. But I am not a melancholy person, quite the contrary, no one enjoys laughing more than I do.
When I think of someone equating poems and machines, it makes me feel like that person would like poems to have a more obvious use value in society. They're not happy with poetry being this ephemeral, indefinable thing. They want it to be "real."
I started out writing poems before I figured to put melodies to them and play the guitar. Somewhere, there's a book out there on all those early songs and poems. I hope no one ever finds it. I don't think it's my finest work.
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
So for whatever reason those short lines just felt right to me, in my physical self. They were right for the movement of the poems. Some poems in the book have longer lines.
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that. — © Dawn Richard
I started to write my own stories, like small novels, and those novels became poems, and after poems, they became lyrics, and song came from that.
I am a relatively rational being and I like to create order in poems. I like meter, I like rhyme, but ultimately I don't know where the poems come from, and I feel, at least in the beginning, that I'm taking dictation from my own dream that I don't remember.
I can still bring into my body the joy I felt at seeing the first trillium of spring, which seemed to be telling me, “Never give up hope, spring will come.”
But give thanks, at least, that you still have Frost's poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!
The older I grow the more do I love spring and spring flowers. Is it so with you?
winter is past, and we have a prospect of spring that is superior to spring itself.
Clouds are poems, and the most moving poems linger on the blackboard so long, written in cursive so lovely, they also exist inside our fingertips. We never really erase them at the end of the lesson.
In Spring! In the creation of art it must be as it is in Spring!
Robert Frost says in a piece of homely doggerel that he has hoped wisdom could be not only Attic but Laconic, Boeotian even - "at least not systematic"; but how systematically Frostian the worst of his later poems are! His good poems are the best refutation of, the most damning comment on, his bad: his Complete Poems have the air of being able to educate any faithful reader into tearing out a third of the pages, reading a third, and practically wearing out the rest.
I believed in fictional characters as if they were a part of real life. Poetry was important, too. My parents had memorized poems from their days attending school in New York City and loved reciting them. We all enjoyed listening to these poems and to music as well.
Every spring is the only spring, a perpetual astonishment.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
Imagine hidden in a simpler exterior a secret receptacle wherein the most precious treasure is deposited - there is a spring which has to be pressed, but the spring is hidden, and the pressure must have a certain strength, so that an accidental pressure would not be sufficient. So likewise is the hope of eternity hidden in man's inmost parts, and affliction is the pressure. When it presses the hidden spring, and strongly enough, then the contents appear in all their glory.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
I love better to count time from spring to spring; it seems to me far more cheerful to reckon the year by blossoms than by blight. — © Donald G. Mitchell
I love better to count time from spring to spring; it seems to me far more cheerful to reckon the year by blossoms than by blight.
I want to write songs with complete sentences. I almos have this obsession with short-changing words. I would never be so pretentious to say that my lyrics are poetry. ... Poems are poems. Song lyrics are for songs.
Our poems will have failed if our readers are not brought by them beyond the poems.
Poems not only demand patience, they demand a kind of surrender. You must give yourself up to them. This is the real food for a poet: other poems, not meat loaf.
You will find a spring by the dwelling of the dead, to the left. Next to it stands a white cypress. Do not approach that spring, do not go near it. You will find another spring that pours from the lake of Memory, cool water gushes out of it. There are guards in front of it. Address these words to them: I am daughter of the earth and the star-covered Sky, and I descend from the Sky; and that you know; I burn and die of thirst; let me drink quickly of the cool water that gushes from the lake of Memory. And they will allow you to drink from the sacred spring.
It's fun to see someone grow as a writer, moving from their first workshopped poems to publishing their earliest poems to having a book accepted for publication. It's great to see poets with persistence succeed.
I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.
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