Top 1200 Studio Quotes & Sayings - Page 16
Explore popular Studio quotes.
Last updated on April 21, 2025.
Eventually, when I sell enough units, as they say in the record business, I will stop touring. I'll concentrate on what I like to do... stay in the studio.
We rarely write in the studio. Everything's already completely arranged before we go in. That way, we can really focus on getting the recording right.
Having the opportunity to join the FOX family as a soccer analyst in their Moscow studio for what will be my third World Cup is amazing.
My influences change all the time; they have to remain current, because they're the things that capture your imagination and make you want to go into the studio.
The same day I was supposed to go to college, I ended up hitting the studio and then poppin' out on the block after that.
I think the challenges for me was to go into the studio with these incredible jazz players and come up to their level of excellence. That's always a challenge.
You could make some great sounds with technology. That's what recording is all about. What happens in the studio is very magical, and should be, in my opinion.
When I was looking for financing while making 'Hellraiser,' I wish there was a studio like Project Greenlight Digital Studios behind me.
When I was a kid and I bought a record, I ripped that thing open, I wanted to know who was playing what, what studio it was cut at, who was the string arranger, who was the engineer.
No one - black, white, or any different - walks away from a three-picture deal with a studio. That's every filmmaker's dream. But it wasn't mine.
I get up at 3:30 A. M. We're on air from 6 A. M., so if I'm in the studio, I'll have eggs at around 7 A. M. from the canteen - scrambled or poached, occasionally with a slice of brown toast.
Making a summer movie is like accepting a mission impossible: your enemies are everywhere, and if you fail, the studio's never heard of you.
I wrote two novels about a yoga studio in Los Angeles published by Penguin under the pen name Rain Mitchell.
Amazon may be the only studio that's run by people who come out of making independent movies, real hands-on moviemaking.
I do get star-struck, especially if they're icons like Florence Welch. I met her briefly at a studio and I did not act cool.
I was surprised by how warm the response was, even among studio heads, who said they really, we do have to do something about glamourization of smoking.
I much prefer the road. My thing is getting live in front of people. There is a sterile environment to a studio that doesn't make me let go.
About 70 percent of everything is really sketched out on my keyboard beforehand, because I do want accidents to happen in the studio.
So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!
A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.
Coming from Ruff Ryders, there would be, like, 30 guys in the studio at once, and then me, trying to do my own thing.
I got a studio built in my house, so I was recording there in Memphis and Atlanta. Those two environments give me that street feel.
I feel like if I do my homework practice-wise, by the time I get to the studio I can put everything exactly where I want it to be right away.
I'm a reader. I found out that, whether you're a studio head or a director, you must read your own material. You can't rely on readers.
At times, I will get in the studio and force myself to just write an entire front-to-back record, and 'Let Me Go' is one of these.
Sometimes people go to a yoga class and think it's not for them, but it might just not be the right studio or teacher - try a new one!
[Jack Reacher] is the longest I'd ever shot anything - and let's be clear, this is my first studio feature film - so there was a huge learning curve.
We shouldn't be afraid to fail - if we are not failing we are not pushing. 80% of the stuff in the studio is not going to work. If something is not good enough, stop doing it.
I'm not the kind of person who would want to go into a studio and manage other people and listen to the phone ringing. That's alien to me.
I wasn't ready to write my own songs when I was in my early 20s. I'm still growing but I definitely grew because of my experiences on the road and in the studio.
I studied all kinds of dance, all types of music. I got good grades. I started hitting the recording studio around 13.
I really just wanted to work on adventure games, so Pinkerton Road is our own little indie studio that's focused on that.
The second single from 'Purpose,' Justin Bieber's fourth studio album, 'Sorry' is an infectious confection - a Dorito for your ears.
My family is full of musicians, and a couple of times a year we get together and jam at my cousin's studio. We improvise and have a great time.
I frequently lock myself in my studio. I do not often see the people I love, and in the end I shall suffer for it... painting is one's private life.
I like to collaborate with other people for studio recordings because I believe collaboration, in any form, makes music better.
Success is created in studio apartments and garages, at kitchen tables, and in classrooms across the nation, not in government conference rooms in Washington.
[Television] is a great medium for writers, because there's just no time for a studio to interfere very long. You write it, you shoot it; it's on TV.
By the time The Band did The Last Waltz, the chemistry had changed, and it wasn't a thrill anymore to live that studio kind of life.
Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.
I like walking into the studio everyday and having completely custom, diverse artwork to do. And my clients keep the interesting ideas flowing in.
I can't just go into the studio with one idea and be all in on that, 100 percent. It takes me a while to arrive at something that feels like it's finished.
I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.
I've always felt that complement of opposites: body and soul, solitude and companionship, and in the dance studio, contraction and release, rise and fall.
I guess, you make a big studio film, you spend a lot of money on it and you hope people go see it. It's really risky.
The highest admiration I have for my colleagues is not for someone in a studio in New York but for somebody on the ground in places that they've gone to fight to tell the story.
So many people have done Coke Studio but my song broke all records. I think I was highlighted too much after CS.
In one respect, I like the freedom of using all the people that I love instead of being dictated by the studio to use the hot person of the moment.
In the horror genre, unfortunately you sometimes have the studio tell you, "No, go with more unknown people because it's a scary movie," and I disagree.
I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.
Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.
I used to work in Macon, Georgia and Spartanburg, South Carolina where the studio was about half the size of your living room.
Matter fact, my girl complains about how much I'm in the studio working. But she sees the results as they roll out.
One day, I just decided I'm ready to go. So I went down with my guitar and sat on the front steps of Sam Phillips recording studio.
I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.
Shark Tale feels borrowed, sampled and dittoed from the collective funniness of the past 10 years in studio-made animation.
Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein - you know, popcorn movie.
We shouldn't be afraid to fail- if we are not failing we are not pushing. 80% of the stuff in the studio is not going to work. If something is not good enough, stop doing it.
Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
I came to L.A. in 1970, and my desire and my training was to be a studio musician, which I had read about in my senior year in high school.
