Top 1200 Style Icons Quotes & Sayings - Page 2

My style of play has always been 'Guardiola style,' so I've not had too many problems. At the same time, he helps you to evolve and to change little things, because it's obviously not exactly the same style of play as at Bilbao.

We destroy icons - that's what we do.

Be fluid. Treat each project differently. Be water, man. The best style is no style. Because styles can be figured out. And when you have no style they can't figure you out.

My fashion icons change regularly.

Weirdly, the past starts to be about something else. It becomes about style in a way that it wasn't about, and I don't mean writing style, but cultural style.

I can't figure out how you can draft players for a coach that you know coaches a certain a style, and was successful doing that style, and get him to play a style that you feel comfortable with.

Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.

My jiu-jitsu style is not a beautiful style. I have very simple submissions. It works, but it's not like Demian Maia or Nick Diaz's very exciting style.

Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.

Almost all the Disney villain witches are gay icons.

I had no style when I was 17! I look at teenagers now and say, 'I wish I'd looked like them when I was that age.' I had no style whatsoever, but style also wasn't as prominent as it is today. I was just very laid back, usually wearing jeans and tank tops and flip flops.

Style is a continuum. Style never changes. It's a straight line. It's a refinement of the same vocabulary. Style takes you from day to evening, season to season.

The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.

My personal style is a continued evolution. I can see I've had a different style for every different age in the period of my life. It's difficult for me to say what is my style because I change all the time. I change every eight months, it's so weird.

The beginner should approach style warily, realizing that it is himself he is approaching, no other; and he should begin by turning resolutely away from all devices that are popularly believed to indicate style - all mannerisms, tricks, adornments. The approach to style is by way of plainness, simplicity, orderliness, sincerity.

Everyone has their style and your style explains a lot about who you are - you feel me? I've had style since childhood, so I like to dress how I feel. But maybe I get carried away by some trends.

McDonald's, Barbie - they're all icons, recognizable from London to Timbuktu.

Cheese steaks are the gastronomic icons of this ethnic city.

My fashion icons range from bubblegum pop princesses to grunge queens.

Style has become very important, the whole idea of style, what your personal style is. It's your identity.

Tokyo style is so specific. And I'm a very big fan of their history. It's pretty simple. A lot of the time, people expect to see the wild style that comes out of Japan, but I think, traditionally, the style is very simple.

Onlookers frequently confuse edge with style...Edge means generating excess returns because of mispricing. Style suggests being in the right place at the right time. Sometimes edge and style overlap, sometimes they don't.

I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.

You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.

To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?

My mom has given me my sense of style. She has taught me how individual style is so beautiful, what you appreciate on someone else might not be good for you. For her, style is all about being comfortable, and she has an innate sense of sophisticated style.

I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.

It's a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.

Its a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.

I find the idea of today's icons being teenagers incredibly uninspiring.

Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.

I don't believe in icons.

My fashion icons are my dad, Pharrell, and Johnny Depp.

I don't need anyone to write me a show in my style, I would like to do a show in a style that wasn't my style, because that's the only way I can grow up and grow out.

When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example.

Jerry Garcia was one of the original American icons. He played naturally and beautifully.

Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.

A lot of my favorite artists are fashion icons.

A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad undisciplined character.

We have these images, these icons before us that are not reality.

I think there's something basically wrong with the general public that they do need their icons.

There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.

I like to believe that rather than destroy icons, I make new ones.

Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. There’s no how-to road map to style. It’s about self-expression and, above all, attitude.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.

McWorld is a product of popular culture driven by expansionist commerce. Its template is American, its form style. Its goods are as much images as matériel, an aesthetic as well as a product line. It is about culture as commodity, apparel as ideology. Its symbols are Harley-Davidson motorcycles and Cadillac motorcars hoisted from the roadways, where they once represented a mode of transportation, to the marquees of global market cafés like Harley-Davidson's and the Hard Rock where they become icons of lifestyle.

This is America; our icons are complicated.

Youth icons are born through beauty pageants.

Dave Chappelle - he's one of my favorite icons. I can't think of anyone who's funnier.

I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.

My beauty icons are women whose images are self-created.

I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.

Icons speak icon language.

I was very influenced by comics. The drawing style, definitely, I was interested in. My style of drawing is largely a comic style, but it's also much more obvious than comics.

It's a weird day and age when you can tire of icons simply by overexposure.

Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.

I like speed, I like passion, I like this style of football. Bayern Munich, for example, are very successful and play another style. I respect their style and it is another idea about football that is very successful but, if I had to choose what style I like most of all, it is the style we play.

The idea of being icons, I think it's great when you're 24. It's fantastic.

These are icons to be treasured.

I think it's real important to show style now. The majority of style right now is to act like you don't have style at all, so most companies are getting rich off clothes that look torn, clothes that look worn.