Top 1200 Target Audience Quotes & Sayings - Page 5

The Miami Beach audience is the greatest audience in the world!

. . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.

The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.

You can't really be super conservative and continue to keep your audience, but at least the audience that we attract comes with a certain level of naughtiness.

With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.

If the audience knew what they wanted then they wouldn't be the audience, they would be the artist.

You can't tell an audience to like a character. And I think the best way to get the audience on someone's side is to embarrass them.

My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.

TV isn't a wide medium when it comes to boldness on the small screen because of the audience. It reaches out to the audience but keeping the traditions intact.

You're your first best audience, long before anybody else hears you. So don't be an easy audience. Keep asking for more.

I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.

I think the audience keeps it fresh for me. You just never know - every audience has its own personality.

Sometimes when I perform, and it's obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.

You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.

What I prefer is an audience who listen. And are intelligent. Which I try and assume every audience is. And that if something goes wrong, it's generally my fault and not theirs.

As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.

The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.

I found doing that kind of comedy without an audience is just... for me, it's almost impossible. You need the audience to do their half of the work.

Without an audience, all your dreams will not come true at all, because you need an audience to write new songs and continue to do music.

I'm able to reach a wider audience, an older audience. I can gladly say that I'm definitely not a bubblegum princess anymore.

I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.

What I do is write books for an audience that thinks in a movie language. That's the way I think, and I also believe that not enough authors keep up with the audience.

I've spent a lot of time thinking about what the audience would want. That's my job, is to anticipate ahead of the audience.

Fast fashion communicates to a different audience, to a younger audience.

The problem is never the audience, it has always been the distribution. The digital space is proof that the audience is quite accepting.

I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.

When an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.

I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that.

At the end of the day, broadcast television has many opportunities to inform the audience, to enlighten the audience, and to entertain them.

As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.

Usually, I'm just pleasing myself and I have very similar tastes I think to an audience, what that core audience really likes.

I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.

If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.

Of course, you have to think of the audience. You cannot make an obtuse film that only appeals to a small niche section of the audience.

All "bad" presentations struggle to keep the audience interested. The audience squirms wishing they could escape. The audience has given the presenter an hour of their life, so they want that hour to be useful. It's disrespectful of a presenter to not show up rehearsed and prepared with information and insights that will improve the lives of the audience in some way. Presenting will do only one of two things for you: it will either diminish your credibility or yield results. Most bad presentations hurt the presenter's credibility.

In a play, you can adjust your performance to audience reaction, but in a film, it's like you're trapped in a bad dream watching yourself act, and you're in the audience.

Non-violence is a piece of theatre. You need an audience. What can you do when you have no audience?

Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.

Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.

When you're still in the broadcast business, you're still trying to reach tens of millions. You're trying to still aim for a broader audience, and I think that's a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.

In a play, you can adjust your performance to audience reaction, but in a film it's like you're trapped in a bad dream watching yourself act and you're in the audience

A singer doesn't sing at home: he or she wants his songs to reach out the audience. Audience always gives you your due.

Now, practically all reviewers have academic aspirations. The people from the universities are used to a captive audience, but the literary journalist has to please his audience.

In working out our callings, we are to perform for one audience, the audience of One.

If an audience is loud and in a party mode, that's an audience that can absorb comedy.

When someone says "that resonates with me" what they are saying is "I agree with you" or "I align with you." Once your ideas resonate with an audience, they will change. But, the only way to have true resonance is to understand the ones with whom you are trying to resonate. You need to spend time thinking about your audience. What unites them, what incites them? Think about your audience and what's on their mind before you begin building your presentation. It will help you identify beliefs and behavior in your audience that you can connect with. Resonate with.

The real artists are ultimately people who don't consider their audience and are almost incapable of considering their audience. They can do what they do and fire themselves up.

Pilots are so hard because you have to introduce all these characters, you have to hook an audience, and an audience has such a smaller attention span than maybe they used to have.

All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.

I've always believed that the audience and the energy that the audience creates is sometimes just as important as the action inside of the ring.

India has a cross section of audience whose cultural levels are varied. So where there are takers for Dabangg,' there are also audience for A Wednesday' and Peepli Live.'

If the room is friendly to a relationship between lecturer and audience, you feel everything - the tension, the appreciation. I think the audience feels it too.

Sometimes you don't know what you've got until you put it in front of an audience - and the enthusiasm for the show from the audience has been just incredible.

I make some movies for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine that I'm an audience member. I would lose myself too much if I thought of myself as the audience. There are other types of genre films that I need to be able to direct from the audience, to be right next to you watching the picture being made.

Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.

Do you need an audience to create work, or does not having an audience liberate you and make you a truer artist?

When I read a script I respond to it like an audience member. At the end of the film, if I'm there in the audience's mind, I have done my job.

The TV audience is way bigger than a book audience, and no matter what I do, I'm always thinking if this will help people read my books.

If one talks to more than four people, it is an audience; and one cannot really think or exchange thoughts with an audience.

We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.