Top 1200 Trash Talking Quotes & Sayings - Page 17

I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.

When I'm talking about a product, before it was a product, it was in my brain. So if I have an inspiration, I will literally get up in the middle of the night, and I'll dream about my customer... I don't feel like it's selling. I feel like it's talking about my children.

The same people in the Congress who are busy kicking holes in the social safety net are also those who would sell off the nation's forests for a song, give away its national parks, and trash its wilderness preserves; there is a connection between the two impulses.

For me to even be talking about bikini confidence is crazy. If you had asked me a couple of months ago, I probably would have been like, 'what are you talking about...' so it's actually huge for me to even feel okay with putting a bikini on.

I have detected disturbances in the wash.' 'The wash?' 'The space-time wash.' 'Are we talking about some sort of Vogon laundromat, or what are we talking about?' 'Eddies in the space-time continuum.' 'Ah...is he. Is he.' 'What?' 'Er, who is Eddy, then, exactly?

I have a cycle that is not particularly cool, but it's a cycle: trash myself to reward myself.

My particular demigod is the Sonics point guard Gary Payton, who is one of the most notorious trash-talkers in the National Basketball Association. He's not really bad. He's only pretend bad - I know that - but he allows me to fantasize about being bad.

I sometimes read about authors who say they require a perfectly silent room maintained at precisely 68 degrees, with trash bags taped over the windows and a white-noise machine in the corner to write, and I think, 'Who are these people, and do any of them have kids?'

We're very good at talking about the individual in American politics and excellent at talking about the government. But we have little ability to even acknowledge everything that exists in the middle, and given how influential politics is on every other part of our life, I think that failure of discourse is pretty corrosive to our overall culture.

A girl's girl doesn't trash another girl's career.

There's a lot of guys in my weight class that are talking - they're chirping. Everybody wants the title. Everybody wants to fight me; everybody thinks they can beat me. People are talking because they think I can't fight.

I sometimes read about authors who say they require a perfectly silent room maintained at precisely 68 degrees, with trash bags taped over the windows and a white-noise machine in the corner to write, and I think, 'Who are these people, and do any of them have kids?

It's dark and it's divisive - deporting 11 million people, talking about law and order, calling every group of people in America names, talking about cutting taxes on the wealthy, feeling like Donald Trump can bring more nuclear weapons into the world - I mean, everything he's talked about is a form of change.

If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography.

There's so many shows, whether it's 'Last Week Tonight' or 'The Daily Show' or 'Full Frontal' or 'Late Night With Seth Meyers,' that are really doing great stuff talking about what's going on in the world and what's going on with the president, and those stories that everyone winds up talking about, whether on social media or in their jobs.

You guys got big uglies, fuumm-bull, and 'Whoa, Nellie.' What I got was, 'Lindsey, why are the trash cans still out front?' 'This homework needs more work,' and the inevitable was, 'How fast were you really going?'

New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.

Well the only reason to go back, for me and I think for anyone involved would be if we could do something truly spectacular. We've been talking about it for a couple years and there's always been this idea, a big idea, in the back of my head that we've been talking about.

I'd been depressed before, of course. But I'm talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I'm talking about the kind of depressed that floats in upon you like a fog. You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.

I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.

It's a robust time, probably the most fertile time for the underground and for revolution since Nixon. I'm not talking about political overthrow; I'm talking about just general cultural revolution. Bush has polarised the country and is creating this breeding ground for an opposition. In the next couple of months, they'll probably make it unpatriotic to be Democrat. It's pretty crazy.

When you have something special, it's like everybody picks apart words. They'll pick apart a moment in a picture and take something that's special and trash it.

If two scientists are giving their papers at a symposium, and one of them is just naturally better at talking to the public or talking to a group of people, that scientist is liable to get more attention - in fact, I'm told that they do get more attention - than the one who's a little more stiff about it. Well, that's not good for science.

When I say a girl like me, I bet you think I'm just talking about being fat. How dare you fat-shame me? You think I'm talking about being black? Racist. What makes you think I'm not talking about being smart? What? You don't think a fat, black girl can be smart or something? Fat-shaming racists like you make me sick.

At its most basic we are discussing a learned skill (writing), but do we not agree that sometimes the most basic skills can create things far beyond our expectations? We are talking about tools and carpentry, about words and style... but as we move along, you'd do well to remember that we are also talking about magic.

Yes, I, well, when I write, as often as I can, I try to write as if I'm talking to people. It doesn't always work, and one shouldn't always try it, but I try and write as if I am talking, and trying to engage the reader in conversation.

To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.

You know, people are always asking, 'What's your brand?' and, 'What are you all about?' Then you get other people saying, 'You need to do what Connor McGregor does.' But that's not me. That's not who I am. I'm not going to talk trash and build off the bad boy image.

This world loses its appeal when the steps become tottering, when the hearing becomes dim, when the faded eyes cannot see as they once did. When loved ones are nearly all gone on ahead, then all the riches or fame or pleasures of this world are baubles and trash.

Talking about winning and losing is like if you're talking about two armies fighting on two territories, which is not the case. Those [terrorists] are gangs, coming from abroad, infiltrate inhabited areas, kill the people, take their houses, and shoot at the army. The army cannot do the same, and the army doesn't exist everywhere.

When I went to university, I decided that I would like to do something related to plant ecology, because I felt that plants were so beautiful. When I am studying plants, I feel like I am talking with some kind of supernatural life, like I am talking with someone who does not speak.

When I started the radio program in 1981, not many people were talking about sexuality. Not many people were talking about AIDS or HIV.

Depending on who I am talking about or who's talking through me - if the person is a kind of hip-hop, or rhythm and blues person, or if the person is a kind of old-fashion gothic, meaning gothic attitude, then that will determine what form the poem will take.

In the new computer age, the proliferation of typefaces and type manipulations represents a new level of visual pollution threatening our culture. Out of thousands of typefaces, all we need are a few basic ones, and trash the rest.

I also really loved the sea when I was young, when I lived in Sicily, but unfortunately the sea here has been reduced to a trash dump. It's a horrible pain going to the beach; you risk getting an infection or getting tar all over you.

I hope my daughter knows that in our house we can make messes and have fun and we'll laugh through it. Granted I don't want her to trash the house, but we do make a lot of messes.

For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.

A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.

The first real terror struck him then, and there was nothing supernatural about it. It was only a realization of how easy it was to trash your life. That was what was so scary. You just dragged the fan up to everything you had spent the years raking together and turned the motherfucker on.

Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.

From powerful causes spring the empiric's gains, Man's love of life, his weakness, and his pains; These first induce him the vile trash to try, Then lend his name, that other men may buy.

I skip the introduction. If the book goes in the trash, I want it to go because of my thoughts on it, not because of some Asshole's thoughts who wrote the introduction.

When we take a top-tier view of the amount of code showing up inside of Linux today that is either directly related to our Unix System 5 that we directly own or is related to one of our flavors of Unix that we have derivative works rights over--we don't necessarily own those flavors, but we have control rights over how that information gets disseminated--the amount is substantial. We're not talking about just lines of code; we're talking about entire programs. We're talking about hundred [sic] of thousands of lines of code.

I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'

[People] need to find words that can reconnect them with each other. That is the gift of good liturgy, yeah. We're not talking about fluffy stuff. We're talking about real life for people around the world. Our prayers should be said like the daily breath that gives us life.

I don't mind talking about acting. I don't have anything interesting to say about it, but it's interesting talking about it.

I'm not talking about losing [agricultural] diversity in the same way that you lose your car keys. I'm talking about losing it in the same way that we lost the dinosaurs: actually losing it, never to be seen again.

I ask permission to be like everybody else,like the rest of the world and what's more, like anybody else:I beg you, with all my heart,if we are talking about me, since we are talking about me,please resist blasting the trumpet during my visitand resign yourselves to my quiet absence.

If you wear clothing, and put out trash you are using up resources that others also need BUT I can pay attention and I can do better. That I know for sure about me, my soul needs to try or I can't lay my head down on my pillow at night and even hope to sleep.

Mr. Trump needs to show how he will address the critical issues on the minds of Americans: national security and economic opportunity for hardworking American families. Americans need to see more vision and less trash talk.

President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.

You should not fool the laymen when you're talking as a scientist... . I'm talking about a specific, extra type of integrity that is not lying, but bending over backwards to show how you're maybe wrong, [an integrity] that you ought to have when acting as a scientist. And this is our responsibility as scientists, certainly to other scientists, and I think to laymen.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

My only writing ritual is to shave my head bald between writing the first and second drafts of a book. If I can throw away all my hair, then I have the freedom to trash any part of the book on the next rewrite.

I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.

In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.

The movies are one of the bad habits that corrupted our century.Of their many sins, I offer as the worst their effect on the intellectual side of the nation. It is chiefly from that viewpoint I write of them - as an eruption of trash that has lamed the American mind and retarded Americans from becoming a cultured people.

On the driving side, I think I grew in the Nationwide Series to a point, but then coming over to the Cup side, I kind of had to grow in different ways as far as the work ethic that I had to put back into talking to my engineers a lot more and talking to my crew chief a lot more.

I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.

If they're not talking about you, you're not doing something; you're not doing anything. So if they're talking about you, you may be doing something right. And when they talk bad about you, you just use it for motivation.