Top 1200 Two Of Me Quotes & Sayings - Page 5

Whoever prays twelve rakats during the night and day, a house will be built for him in paradise. Four before dhuhr, and two after, two rakats after maghrib, two rakats after ishaa, and two rakats before fajr prayer.

I don't hit it as far as a lot of guys do, so I have to be in the right spot in the fairway to score, and that means driving it well. The two biggest keys for me are to make a good transition and to keep my hands ahead of the clubhead through impact. I want to feel as if my swing is two swings: one going back and another coming down.

Having my foundation be from two positive black role models in my life, my mom and my dad, two strong-minded intelligent individuals who clearly have made a great deal of great decisions in their lives and put me in a position, via educational institutions, to be around other intelligent people and to have a strong moral foundation, from which I try to never stray far. It all spurred me to carve out my own little niche as a human being.

A lot of my teammates in the NBA call me Little Patty anyway as they are about two feet taller than me.

For me, I work two very different jobs - from DJing to being a wellness person. So sleep is crucial; it makes me function way better throughout my day and gives me sustained energy to get through all the night events.

One reason we lasted so long is that we usually played two people who were very much in love. As we were realistic actors, we became those two people. So we had a divertissement: I had an affair with him, and he with me.

A big problem for me was opening for Limp Bizkit and Linkin Park, two bands that wouldn't exist if it weren't for me, straight up!

I think the contrast between these two in the professional world of cinema mattered to me. One who has reached the ultimate point of being a star, who knows how to do everything very well, facing another person who would throughout the making of the film transfer his anxiety to both of us, to me and to Juliette, as to whether or not he would be capable of fulfilling his role. This in itself created a challenge that was actually very good for me, since I hadn't ever counterposed two such performers before, creating that challenge between someone who knows their part and someone who doesn't.

I suppose people lost interest in me when I left Liverpool; but it wasn't me who left, it was other people who left me. If people had continued to follow me, they would have seen my two good seasons in Turkey which caught the attention of Besiktas and Galatasaray.

I've got these two wonderful people who run my web site and put me on Facebook. They didn't even ask me. I'm very appreciative of it.

My sister played the piano. She’s two years older than me, and I always wanted to play something. So my grandmother got the guitar for me, and showed me a couple of chords to start off. And then I got me a book. Next thing you know, I was playing along with sister.

I stand between two worlds. I am at home in neither, and I suffer in consequence. You artists call me a bourgeois, and the bourgeois try to arrest me...I don't know which makes me feel worse.

After college, I went to San Francisco and worked as a secretary in a reinsurance company. That was a pretty dismal job. It was a real small place. Guys would come in, and they'd sort of stick out their arms like wings so I could take their coats off. They'd tell me, 'Two,' and I'd put two lumps of sugar in their coffee.

There's the part of me that's the organizer, part of me that's the artist, part of me that's the person who, even with those two things, wants to figure out what my place in the world is. How to engage with it and whether my life has any meaning.

I try and be just completely me on stage. I try and put that across, and people seem to get that personality that I have, so I do try not to become two different people and two different faces.

First, do enough training. Then believe in yourself and say: I can do it. Tomorrow is my day. And then say: the person in front of me, he is just a human being as well; he has two legs, I have two legs, that is all. That is mentally how you prepare.

Me and my friends, we do this little two-finger-on-two-finger thing when we talk to each other, because we're Twitterholics. Maybe #acceptance. I feel like we pay a lot of attention to the word "tolerance," and I don't really like it. I get it, but I don't need you to tolerate this. It is. When you accept something, it's much deeper.

My mother had people lay hands on me to cast demons out of me when I was 8. Then two or three times when I was in college.

The thing I ran up against was everybody wanted a song so fast. It took me two years to finish 'Touch Me in the Morning.'

I'm a Ronaldo fan as well, and for me, they're the top two players in the world. But for me, Messi is the kind of player that can do anything.

Acting is one of the two things that give me the most joy. The other thing is travelling. Nothing else matters to me.

Then your fingers moved down to my chin. You pushed it up with your thumb to look at me, almost like you were studying me in the artificial lights above my head. And, I mean, you really looked at me … with eyes like two stars. [...] And I had wings fluttering away inside me all right. Big fat moth wings. You trapped me easily, drew me toward you like I was already in the net.

David Lynch's 'Fire Walk With Me' has a scene in it that scared me so bad that I don't remember it. I blocked the memory out - repeatedly! I've seen the film two or three times, and I can never remember what it is that scares me.

I asked the head musician if I could go onstage during the next break and he said sure. I got two laughs in twenty minutes, and walked out feeling more elated than I had ever felt in my entire life. The glory of that triumph contented me for two full years.

I love all holiday music. My two favorites would probably be Donny Hathaway's "This Christmas" and Nat King Cole's "The Christmas Song." They epitomize Christmas for me. Those two recordings will never be touched. That's why I've never redone them.

I developed the Clock Theory to help me time records; you know, spin the record back two revolutions or whatever and then play the break, spin the other one back two, play, like that.

Someone had to lend me a hand or two to pull me forward. I feel it's my duty to make sure I do the same.

For the Patriots, you can be a cheerleader for four years. They can be four consecutive years. You can do two years and take a break, and then come back for two more years. I've actually only completed two years, two seasons with the Patriots cheerleading team.

In magic, it takes two or three years for me to create a 5-minute illusion for me to get it to the level I want.

I own two beautiful homes, and I'm always half-expecting the cops to pull in, seize me with firm compassion, and escort me out.

Grades were important in our house. I was reading by two. My mom would sit there and read with me, read with me, read with me. It was wonderful.

Sometimes I feel as though there are two me's, one coasting directly on top of the other: the superficial me, who nods when she's supposed to nod and says what she's supposed to say, and some other, deeper part, the part that worries and dreams... Most of the time they move along in sync and I hardly notice the split, but sometimes it feels as though I'm two whole different people and I could rip apart at any second.

I do a Zumba class at least twice a week, which entertains me and keeps me fit, and I have two dogs that I walk regularly.

The Christmas just before I turned four, my parents bought me a pair of little black skates and the Bay of Quinte was frozen and my two sisters took me out there and held my hands and taught me to skate. Now I don't know if this is true - although it sounds good! - but rumour has it by the end of the day they couldn't keep up with me.

Allow me to correct you on two things: number one, the reason John Cena isn't here tonight has nothing to do with you. John Cena isn't here because I destroyed him in our match, this past week, in Pennsylvania. And number two, you're not the leader of the Nexus, I am.

You talked to me, but you didn’t. I could see you having these two-sided conversations. The things you wanted to say to me. And the words that actually came out.

My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me. And now it's kind of become a way of life for me.

I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again - this was before air travel became really easy - and Alix [MacKenzie] turned to me and she said, "You know, that was a great two years of training, but that's not the way we're going to run our pottery."

Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.

I was working as a secretary in Manchester and thought I would always do that. Then I got this letter offering me a two-year fellowship where I could write; they would pay me a salary and give me a flat to live in. It was heaven.

They - you know, when we walked in - when I walked in with the two white men that had carried me down - and they cursed me all the way down. They would ask me questions, and when I would try to answer, they would tell me to hush.

He once told me that an August evening was "as hot as three toads in a Cuisinart," a comparison that left me blinking two days later.

It would probably take me an hour to two to write it down, get the feel of it, and that's with quite a few changes. It's not really a hard thing for me to do.

What makes me myself rather than anyone else is the very fact that I am poised between two countries, two or three languages, and several cultural traditions. It is precisely this that defines my identity. Would I exist more authentically if I cut off a part of myself

My eyesight had always been good but at school I went swimming one day and the chlorine affected me badly. I was almost blinded for two weeks and from there things deteriorated. Then at the World Championship in 2007 I realised I couldn't see the back of the pocket. It was one big blur. My first two seasons as a pro it was dreadful.

It ain't about catching 20, 30 whatever. If I catch two I catch two, if I catch 10 I catch 10, as long as we win, that's all that matters to me.

I have to thank my mum for kicking me out at 16 and making me stand on my own two feet - that's how I got here.

I was two years old when my mom put me in mommy and me classes. I always had a lot of energy so it was the perfect fit!

Technologically, I live in the 17th century; I don't have a computer, I don't have any of that stuff. I don't look at the Internet, although I know people tell me I'm all over it. Somebody told me they Googled me, and they said I was mentioned two million times, some stupid thing... but who cares?

I seize all opportunities with two hands. Everything that's happened to me has taught me to live in the moment as much as possible.

You introduced me to Danger and Will Robinson, but you neglected to acquaint me with the other two.” “Fine,But you can’t make fun of their names. They’re very sensitive.” “I would never.” I pointed in the general vicinity of my left ovary, “This is Beam Me Up.” Then to my right. “And this is Scotty.

You know, for me, the realization that two people should have the right to form a sacred union regardless of their gender was strengthened when I saw a performance of the play The Normal Heart in 1985. After feeling the love those two men had for each other, I dare anybody not to want them to get married by the end.

For acting, a two-week workshop helped me break my shyness and made me able to perform in front of people.

Idea of the generations continuing is really important. And that's interesting to me. I write about families; I'm interested in families. Even though I think a family can be just two people or two people and a dog, I really wanted children for that reason.

There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.

Honestly, being in a band with two guys has prepared me so much for when it's time for me to get married!

The police stopped me when I was out in my car. They told me it was a spot check. I admitted to two pimples and a boil.

I've often made critical comments about settlement expansion in the occupied West Bank and in east Jerusalem, and my position hasn't changed. At the same time, it's equally important to me that the two sides, both Israel and the Palestinians, work towards a durable peace settlement: that's to say a viable two-state solution.

From about age 17 to 25, a time some people describe as "beautiful youth," it was "arranged" for me to live with two different collectives. These eight years where I had absolutely no choice influenced me in two ways: firstly, I gained an understanding of "freedom." To this day, I very much respect and treasure individual choice. Secondly, I developed a suspicion towards any kind of organization, collective, movement or uniform action, as well as a rejection of any kind of power.

It's cruel to compare two actors working with two different filmmakers on two different characters.