Top 1200 Violent Films Quotes & Sayings - Page 18

I really think that I don't mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It's not to be taken badly at all. This is something I really mean.

My love of visual sequences stems from live-action films like Sergio Leone westerns, Kurosawa, some '70s action films, Tex Avery, and my general love of animated movement.

For someone so violent, he has a gentle face, doesn't he?

I really enjoy acting, and whether it's TV or films, I feel lucky to be doing it at all. In the end, I'd love to do films, but I'm not going to work just to do work. I only want to do something that I feel right about.

I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.

Ideals are peaceful. History is violent.

In a lot of films, forever it's been boy-meets-girl, and thank God for films like - I know it's going to sound ridiculous - 'Frozen.' I was so excited for my daughter to be able to watch a love story between two sisters instead of some stupid prince.

I don't like winning in a violent way.

I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.

When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.

I always knew I wanted to make films, but just didn't quite know how to start. I was making little short films with my friends but I wasn't quite sure how to put those pieces together for myself.

Anything that is non-violent is OK with me.

Personally, I want to do action films. I even tried it with 'Loafer,' but things did not work out. So, I am taking things as they come and am trying to do different films which will suit my image.

Bollywod films run on the shoulders of its lead actors. The audience goes to watch the actors and talks about the story later. On the contrary, Punjabi films are now running on the shoulders of their stories and content, which is an achievement.

I think the problem I have with films is that, because there's so much hype around them, they become bigger than they should be, really. There are things that people do every day in their little workshops that they'll take to heaven with them. You've got to realise that it's not everything, making films.

Language in comedy is very violent.

There's so many great films coming out. It's still kind of astonishing to me how certain films get ignored, and that film ended up getting ignored and didn't get the attention that it deserved at Sundance.

Life is not about acting in films alone. There are so many things in life other than films and acting.

I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.

Our country is pathologically violent.

The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.

Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.

A revolution is a violent change of mismanagement.

I don't see myself as a violent guy.

Violence is the first refuge of the violent.

My dictionary has no such expression as a violent fight.

You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.

I like doing violent movies.

Remorse is violent dyspepsia of the mind.

OK, I wasn't as successful as, say, Julia Roberts, but I'd spent years in a very respectable career, some big American films but a host of other smaller, really exciting, maybe experimental films, being paid rubbish but working with fine people, that was what I thought I was known for.

If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.

I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.

It is good that people are experimenting with cinema. They are trying to do serious and soulful cinema but such films don't stay in theatres for over a week. People ultimately go and watch Salman, Shah Rukh and Amir Khan films.

I prefer working on films. I like the variety. There is nothing better than playing a bad girl for two months, then playing someone sweet for the next two. Films give you this opportunity.

In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.

I think that George Lucas' 'Star Wars' films are fantastic. What he's done, which I admire, is he has taken all the money and profit from those films and poured it into developing digital sound and surround sound, which we are using today.

I don't see me doing $100 million films because $100 million films, the very nature of them, you need to offend as few people as possible just to make your money back.

I'm very competitive, and I want to be very successful, but at the end of the day, films to me are still films. I want them to be good, and I'll work the hardest, but at night, I go home to my life and my family, and that's where my heart lies.

All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.

They seem much rarer now, those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.

The day I was born, I knew I was going to act! Okay, that can sound a bit exaggerated, but I knew I want to enter films when I started understanding the world of films and saw my father going on sets. Maybe when I was just a kid.

There is an established tradition of actors directing films that have a particular, personal meaning for them - Warren Beatty, Clint Eastwood, Kevin Costner, and most recently George Clooney to name a few. Remarkably, their films share an unusually high percentage of being very good.

There are three movies that I am exceptionally proud of in my life, and I rarely commit to a list of films that I like, that I've made... but these are the three films that I was passionately connected to. The first was 'ET,' the second 'Schindler's List,' and third is 'Saving Private Ryan.'

Necessity is a violent school-mistress.

I'm not a violent person; I'm not interested in violence.

I mean, football is a violent sport.

In France, it is television that pays for films to be made and I received all of my funding from TV: two television channels, government funding and distributor contribution (Wild Bunch). My films are low-budget, and not expensive [to make].

Good films will happen only if there are people to produce good films and there are people to encourage the endeavour.

When someone talks about Western films, you probably think of those old black and white cowboy films your granddad likes. But the Western is a wonderful genre because it is usually a story of a lone hero fighting against corruption in a dangerous world.

I'm from Detroit. I was from a kind of violent neighbourhood.

Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.

If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.

Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.

All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.

It is the other way round: food cannot make you spiritual, but if you are spiritual your food habits will change. Eating anything will not make much difference. You can be a vegetarian and cruel to the extreme, and violent; you can be a non-vegetarian and kind and loving. Food will not make much difference. In India there are communities who have lived totally with vegetarian food; many Brahmins have lived totally with vegetarian food. They are non-violent but they are not spiritual.

Remorse is a violent dyspepsia of the mind.

The dimensions of my feelings are too violent.

Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.

I am a big fan of the old Howard Hawks films from the 30s and 40s, I was a big Hepburn and Tracey fan for a while and Woody Allen films that are a very different kind of romantic comedy.

People who grew up watching Disney films like myself, there are films that are certain benchmarks in my childhood. 'The Little Mermaid' was the first movie I remember seeing. 'Beauty And The Beast,' 'Aladdin,' those are three I remember right off the bat.