Top 1200 Way Of Talking Quotes & Sayings - Page 16

Other people are talking about writing books about my life, or about some of the things I've done. I find it strange, but I also feel it's my life and my story, and I guess I better be the one to get it on paper the way it actually happened.

If I were an immigrant Latino not born in the US, I could not have written Searching for Whitopia: An Improbably Journey to the Heart of America book. And that is because many of the Whitopians would not have been comfortable talking about their views on immigration, talking about their views on taxes. And they wouldn't have spilled to me the new script on race and poverty as they did.

I'm a really uncomfortable person, so the whole Hollywood lifestyle - attention on me, the cameras, people telling me how to live my life, talking about me in a public way - none of that is appealing to me. Acting is amazing. But everything that comes with it is such a turnoff.

If we're talking about the science fiction or action genres, I've always tried when I could to do them in a way that's not just cookie-cutter - that they bring something fresh or original to it, have some kind of ideas to it. I've been fortunate, in some sense, to do those kinds of movies that are unique.

In outstanding classrooms, teachers do more listening than talking, and students do more talking than listening. Terrific teachers often have teeth marks on their tongues.

I was approached by Disney to reprise my role but I wasn't interested. The movies are sure to be brilliant but I don't want to be in them. I've spent the past 20 years talking about the last movies and I'm bored with it. I don't want to spend the next 20 talking about 'Star Wars.'

If five years from now we solve the access problem, but what we're hearing is all encrypted, I'll probably, if I'm still here, be talking about that in a very different way: the objective is the same. The objective is for us to get those conversations whether they're by an alligator clip or ones and zeros. Whoever they are, whatever they are, I need them.

The best way to conduct research on a larger scale is to make sure everyone knows what everyone else is doing... The sooner the better - start talking to other people about what you're doing. Because that's what will stimulate things the fastest.

Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract - the idea that painting can go beyond what is seen. What we found is that, increasingly, painting became about paint, its own material truth. When I'm talking about the way that we look at others and the way that we see ourselves increasingly, looking at others becomes its own material truth.

People feel uncomfortable talking about racial issues out of fear that if they express things, they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we've not engaged in.

I do sometimes miss doing that lighter, more humorous work, and I find there's a heavier responsibility that goes along with a literary reputation. You have to start knowing what you're talking about and you have to go have public conversations with writers. That's been pretty intense; I have to really stay on top of things in a way I didn't before.

Where I live in Connecticut was ice a mile above my house, all the way back to the North Pole, about 15 million kilometers, that's a big ice cube. But then it started to melt. We're talking about the floods of our living history.

People feel uncomfortable talking about racial issues out of fear that if they express things they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we have not engaged in.

I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.

We're talking about race. It's ideology, it's a mode of policy. It's a practice. And it intertwines with class in a very specific way to create something very distinctive that we see now being legitimated in the United States by fascists who absolutely are unapologetic about what they're saying.

I'm a Southerner - I never take satisfaction in touching a nerve. I guess if I'm forced to find a good side, I'm glad that people are talking about an issue that hasn't really been discussed all that much. I'm glad that people are talking about it from the black perspective and the white perspective.

The Australian way of affirmative action is setting goals and recognising discrimination and lack of opportunity and deciding to take action and setting some goals and targets. I guess I prefer that language to talking about quotas.

Talk to people about what our real choices are... Our way works better... Stick with us, keep talking and think how much better it will be if we keep going forward together.

I think that talking about the personal specificity, personal details, is how you get the big, big audiences - by talking about your relationships or your personal tragedies. If you reach out with that energy, you'll touch people.

Sometimes I go for days without speaking to a soul. I think, “I should make that call", but I put it off. Because there’s something pleasurable about not talking. But then I love talking, so it’s not that. But sometimes it can be nice. It’s not like I sit here philosophizing, because I’ve no talent for that. It’s just this thing about silence that’s so wonderful.

Yes, I, well, when I write, as often as I can, I try to write as if I'm talking to people. It doesn't always work, and one shouldn't always try it, but I try and write as if I am talking, and trying to engage the reader in conversation.

One thing I'm grateful for, and also surprised and excited about, is that I have a place in the community of comics now. In a real way. And I honor that. A lot of what I do is in support of the community and bringing new talent - talking to people that people don't know. And defining us as a community.

The way I paint is similar to rock in that you don't stand around and say, 'Gee, what are they talking about?' Rock is simple, blunt, colorful. Same with my paintings. You don't stand back and wonder what it is. That's Jim Morrison, that's a panda, that's a scene on the West Coast. It's not abstract.

We need each other's ideas. Now, I'm not talking about racist ideas or misogynistic ideas or cruel or criminal ideas. I'm talking about most of us who have very varied experiences, needs and ideas. It's really about believing that it's an important part of healing America.

When I was talking to strangers over the Internet in the 1990s, there would be a much more intense connection because they're disembodied, so it's just your brain and your soul interacting with this other person, and it just frees you up in this incredibly empowering way.

I was talking to a businessman, and I said, Don't you think most men are little boys? And he said, I'm no little boy! I make seventy-five thousand dollars a year. And I said, Well, the way I look at it - you just have bigger toys.

You're talking to somebody who two years ago couldn't figure out how to use e-mail and who now has carpal tunnel. It has totally changed in that these films would not be getting out to people the way they're getting out without the Internet.

You watch Bono in a room - and we're talking about a room of thousands swarming around him - he'll take every single person and make that moment about them. You can pat him on the back or pull his arm, he's not looking away from the person he's talking to.

I'm looking forward to coming to SleuthFest I've heard so many good things about it from my writer friends. I'm looking forward to seeing my buddies and talking to readers who want to know about the way I work.

When I started the radio program in 1981, not many people were talking about sexuality. Not many people were talking about AIDS or HIV.

I'd always been a little bit uncomfortable talking about my sexuality just because it took me a while to fully accept it. I had a bit of traumatic time with my friends when I was younger, and it kind of just put me off talking about it.

I find that it's a very odd thing to think of competition when you're talking about what I still think of as art. I don't think of competing with actors or filmmakers at all. You do compete, in a way, at the box office, but we're far enough apart when both films are coming out that I'm not concerned with that either.

Don't consider sarcasm the 'be-all' and 'end-all' of verbal intercourse. Far too many people place way too much importance on the sarcasm instead of the talking, in and of itself, as a precious shared experience between people.

I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.

In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.

I have detected disturbances in the wash.' 'The wash?' 'The space-time wash.' 'Are we talking about some sort of Vogon laundromat, or what are we talking about?' 'Eddies in the space-time continuum.' 'Ah...is he. Is he.' 'What?' 'Er, who is Eddy, then, exactly?

I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'

[People] need to find words that can reconnect them with each other. That is the gift of good liturgy, yeah. We're not talking about fluffy stuff. We're talking about real life for people around the world. Our prayers should be said like the daily breath that gives us life.

I never said that I was going to do a documentary talking about my experiences of colourism. I think people took it the wrong way with the working title - 'Leigh-Anne: Race and Colourism.' That's not what I was doing, I'm here to amplify the voices of darker-skinned women and hear their experiences.

When I say a girl like me, I bet you think I'm just talking about being fat. How dare you fat-shame me? You think I'm talking about being black? Racist. What makes you think I'm not talking about being smart? What? You don't think a fat, black girl can be smart or something? Fat-shaming racists like you make me sick.

When I went to university, I decided that I would like to do something related to plant ecology, because I felt that plants were so beautiful. When I am studying plants, I feel like I am talking with some kind of supernatural life, like I am talking with someone who does not speak.

Women need to make sure they know what they're talking about. You can't just plant yourself in front of a camera and be pretty because that's just not good enough. It's just not a respectable way about building one's career - in sports or anywhere on TV.

When I'm talking about a product, before it was a product, it was in my brain. So if I have an inspiration, I will literally get up in the middle of the night, and I'll dream about my customer... I don't feel like it's selling. I feel like it's talking about my children.

When we speak about a culture of violence in the American society, we're not just talking about the mass killers. We're also talking about that we, as a society, and many of us as individuals accept violence as part of life because we have become numb to it, being so exposed to it in various forms of media.

The biggest mistake coaches make is taking borderline cases and trying to save them. I'm not talking about grades now, I'm talking about character. I want to know before a boy enrolls about his home life, and what his parents want him to be.

When people were selling the politics of fear and division and destruction, we were talking about hope. We were talking about the politics of joy.

Ordinarily, I go to the woods alone, with not a single friend, for they are all smilers and talkers and therefore unsuitable. I don't really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my way of praying, as you no doubt have yours. Besides, when I am alone I can become invisible.

In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.

I checked the emails the same theme that I could summarize them. "Rush, whatever you're talking about here - [Donald] Trump, you talk about the Republicans, [Barack] Obama and so forth - nothing's gonna change with the media the way it is. And all of it is academic, Rush. You know it".

The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.

I don't mind talking about acting. I don't have anything interesting to say about it, but it's interesting talking about it.

I don't like mimicking people. I don't like repeating talking points. I don't like arguing with people just to argue. I like actually coming up with an interesting thing to say that I don't think has been said before in that way.

Thank you for liking Sin City. I can completely understand if you watch that movie and then I talk about single-use plastic bags and you're a little confused, maybe put off: "You should be talking about machine guns! In a sexy way!" I'm sorry, that's not me.

If you forget about the money issue for just a minute, if it's possible to do that - because these are people's livelihoods we're talking about - and you look at Internet in terms of the most amazing broadcasting network ever built, then it's completely different. In some ways, that's the best way of looking at it.

If two scientists are giving their papers at a symposium, and one of them is just naturally better at talking to the public or talking to a group of people, that scientist is liable to get more attention - in fact, I'm told that they do get more attention - than the one who's a little more stiff about it. Well, that's not good for science.

I think what education gives you is a voice. It gives you a way of talking to a judge. When a policeman pulls you off to the side of the road, you have a voice. When you cross a border, you have a voice. When you are writing to express your opinions, you have a voice.

When I wrote 'Pink Houses,' nobody was talking about that, right? The next thing I know, you can't see the TV without hearing commercials with 'Listen to the heartbeat of America,' or 'Born the American way.' That whole America thing now - I hate it.

At its most basic we are discussing a learned skill (writing), but do we not agree that sometimes the most basic skills can create things far beyond our expectations? We are talking about tools and carpentry, about words and style... but as we move along, you'd do well to remember that we are also talking about magic.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing - none of that is writing. Writing is writing. Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

I was always talking in weird voices from the time I was two. I guess I just found a way to keep doing it! I did get a degree in theater and took some voice-over classes... but most of it is just the same stuff I was doing as a kid!