Top 1200 Working Class Hero Quotes & Sayings - Page 3

Mr. Jones's book is a cleareyed examination of the British class system, and it poses this brutal question: 'How has hatred of working-class people become so socially acceptable?' His timely answers combine wit, left-wing politics and outrage.

We concentrate too much on ethnic diversity and not enough on class. It's dead important to represent loads of different cultures. But what the BBC doesn't do enough of is thinking about getting people from more working-class backgrounds.

Socialism has never and nowhere been at first a working-class movement. It is by no means an obvious remedy for the obvious evil which the interests of that class will necessarily demand. It is a construction of theorists.

I always considered myself working class, because I was brought up on a council estate. I still do, really. I mean, I might have a bit more money now than I did then, but it's in your head, class, I think. It's how you feel in there.

When you talk to people in working class communities about men, the women aren't telling you that their guys are looking desperately for work but can't find it. An amazing number of them aren't interested in working.

Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.

I never had an issue working as a second hero.

With a few notable exceptions, literary fiction in the U.K. is dominated by an upper and upper middle-class clique who usually have a tin ear for the demotic and who portray working-class characters with, at best, a benevolent condescension.

When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.

There's a false choice being put forward by some Democrats now. Either we double-down on our progressive values, or we go out there and talk about the middle class and the working class. I've never found them inconsistent. They go together.

For students today, only 10 percent of children from working-class families graduate from college by the age of 24 as compared to 58 percent of upper-middle-class and wealthy families.

There's always been a nasty strain of class prejudice ingrained in the condemnation of football's 'undeserving rich,' as if the working class is uniquely susceptible to being corrupted by money, and as if they deserve their wealth less than those born to it.

The hero saves us. Praise the hero! Now, who will save us from the hero?

The neoliberal programs of the last generation have in fact been, and were intended to be, a pretty serious attack on democracy, but also they've led to stagnation or decline for large parts of the population - the working class, the lower middle class, these people have essentially been cast aside.

I grew up as a dancer, and music and dance are so closely tied that in ballet class, you're listening to all this classical music, and in modern class, you're working with a live drummer. It was something that always made me feel really comfortable, and I've had a connection to since the beginning.

My father was a black, working-class man who arrived here with no money in his pocket from Nigeria; my mum came from more of a middle-class background, whose father had prosecuted the Nazis at Nuremberg.

J.J. Abrams is an all-time hero of mine, really lovely to be working with him.

It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.

The idea that working a blue-collar job and living in a working-class community provides barriers that are unique to your circumstances - that's not a very controversial subject anymore. I think it's something that people on both the Left and the Right probably accept.

It is said, that no one is a hero to their butler. The reason is, that it requires a hero to recognize a hero. The butler, however, will probably know well how to estimate his equals.

Americans ... do not naturally apply the term "bourgeois" to themselves, or to anyone else for that matter. They do like to call themselves middle class, but that does not carry with it any determinate spiritual content. ... The term "middle class" does not have any of the many opposites that bourgeois has, such as aristocrat, saint, hero, or artist - all good.

With upper- and middle-class lawns, there's more hidden, whereas with working-class or poor lawns, there's more out to see. It just sits right out there. Very honest. Like the people.

I'm one of the people that's managed to rise above my class, that's the working- class dream, the whole Lennon-esque, John Osborne kind of thing, you know - jump out - if you get the opportunity to better yourself that's fantastic, and I've done it.

In one sense, Obama's point couldn't be clearer: race is a distraction from class-based inequities. And if we dismiss working-class resentment as camouflaged racism, we will continue to be distracted by the spectre of race.

Women of the working class, especially wage workers, should not have more than two children at most. The average working man can support no more and and the average working woman can take care of no more in decent fashion.

I would prefer to use a very inclusive definition of the working class. I'd like to include all of those people who are, if they're not exploited by an immediate employer over them, they're exploited by the system and therefore have a cause to want to change the system. Having a very inclusive definition of the working class creates a great opportunity for organizing people.

Most middle-class Americans, even working-class Americans, encounter each other across racial lines all the time, but it gets really hard-core when you get into that witches' brew that is the combination of race and poverty.

These were all middle-class kids from literary backgrounds, joining this sort of train going by, this pop train, jumping on. Whereas the rest of the rock scene, you'll find that there's mostly working-class people.

I think one of the main differences between being an English actor and being an American actor is that we have things like the class system in England.I'm middle class. But I've got what some people might consider to be a working-class accent, so you've got those sorts of elements in this country to consider, which, in America, exist, but not necessarily in the same way.

You could say that the vote to withdraw from Europe is, it's really a vote of the British middle class, the working class, to withdraw from the U.S. neoliberalism that has been running Europe for the last ten years.

Capitalism improves the quality of life for the working class not just because it leads to improved wages but also because it produces new, better, and cheaper goods.... Indeed, with capitalism, the emphasis shifted to producing goods as cheaply as possible for the masses--the working class--whereas artisans had previously produced their goods and wares mostly for the aristocracy. Under capitalism every business wants to cater to the masses, for that is where the money is.

We all like to think of ourselves as a standard, and I can see that it is genuinely difficult for the English middle class to suppose that the working class is not desperately anxious to become just like itself. I am afraid this must be unlearned.

I don't ever think of myself as coming from a particular class because my father was working class but made his living as a newspaper foreign correspondent - someone of no fixed abode, as he used to say - who was as comfortable dining with the Mountbattens in India as he was having a pint with the boys. He was very gregarious.

I was a working-class kid in a middle-class environment. Fashion was my way of saying, 'You can tap me for this and tap me for that, but you can't deny I look good.'

I think there's a tendency in England, when you look at the past, to either have upper middle class period drama with its own rules, or if you're going to look at working class people, you have to do that in a particular 'Isn't it a shame, aren't they oppressed' way, or it's treated comically.

After the countrywide victory of the Chinese revolution and the solution of the land problem, two basic contradictions will still exist in China. The first is internal, that is, the contradiction between the working class and the bourgeoisie. The second is external, which is the contradiction between China and the imperialist countries. Consequently, after the victory of the people's democratic revolution, the state power of the people's republic under the leadership of the working class must not be weakened but must be strengthened.

The rise of globalization, the rise of finance capital, the elimination of the manufacturing base, the decimation of the working class, particularly in terms of those who had some comforts that approximated what the middle class had.

Marriage equality is a very middle-class issue and voting rights is a very working-class issue. If you do not vote, who are you speaking for? Who will be the next Fannie Lou Hamer? If not you or someone you know, then who?

I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.

They talk about class warfare -- the fact of the matter is there has been class warfare for the last thirty years. It's a handful of billionaires taking on the entire middle-class and working-class of this country. And the result is you now have in America the most unequal distribution of wealth and income of any major country on Earth and the worst inequality in America since 1928. How could anybody defend the top 400 richest people in this country owning more wealth than the bottom half of America, 150 million people?

Until the Second World War, it was unthinkable for a married woman of the working or middle class to disgrace her husband by working after marriage, because her employment indicated that he was a poor provider

Bourgeois class domination is undoubtedly an historical necessity, but, so too, the rising of the working class against it. Capital is an historical necessity, but, so too, its grave digger, the socialist proletariat.

Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!

I thought I would be laying hardwood floors in Colorado - a construction worker. Middle class or working class, that's where I was! I just fought because I loved it. It was so fun! Being able to go in there and outthink your opponents.

Conservatives have always embraced the idea of grammar schools - that giving a top tier education to bright children from working class backgrounds provides them with the opportunities their middle class counterparts take for granted.

I went to a middle-class school, but my background is working class. I got the best of both worlds, I saw both classes, so I have a pretty fair idea of how people live and why they do it.

The astronauts who came in with me in my astronaut class - my class had 29 men and 6 women - those men were all very used to working with women.

I love just working. I love the idea of being a working class citizen.

I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.

I'm working class. Not because my family have always been skint or because I'm from the grim north, but because I am from a class of people who believe in work. In paying their way.

The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.

If you're white working class, it's very easy to caricature the elites, and if you're elite, it's very easy to caricature the white working class.

CONJUGATE THIS: I cut class, you cut class, he, she, it cuts class. We cut class, they cut class. We all cut class. I cannot say this in Spanish because I did not go to Spanish today. Gracias a dios. Hasta luego.

In the States everyone aspires to be middle class. It's so engrained into the American psyche: As long as you work hard you're going to be rich some day. The history of Britain is that if you're born working class, you're going to stay there, although that is changing.

When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.

When I'm talking about the white working class, here's what I'm defining: high school degree, no more, and working in a blue-collar job or a low-skilled service job. When I'm talking about the white, upper-middle class, I'm talking about people who work in the professions or managerial jobs and have at least a college degree.

The French need a thrashing. If the Prussians win, the centralization of state power will be useful for the centralization of the German working class. German predominance would also transfer the center of gravity of the workers' movement in Western Europe from France to Germany, and one has only to compare the movement in the two countries from 1866 until now to see that the German working class is superior to the French both theoretically and organizationally.

I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.

Nonwhite and working-class women, if they are ever to identify with the organized women's movement, must see their own diverse experiences reflected in the practice and policy statements of these predominantly white middle-class groups.

In the 'Garnethill' trilogy, people always forget that Maureen O'Donnell's dad was a journalist and she did art history at uni and her brother did law, but no-one ever thinks they're middle-class - they're just working class because they speak with accents.