Top 1200 Zombie Movie Quotes & Sayings - Page 3

You put a movie star or a bunch of movie stars in a movie, it doesn't mean people are gonna go see it. It's been proven time and time again.

There's this one show that I want to be in so badly. I'd try everything to get into 'The Walking Dead.' I don't even care if I'm a zombie.

I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.

I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.

The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.

I used to lie in bed in my flat and imagine what would happen if there was a zombie attack.

Christmas is relentless. It's around the clock. I sit with my little ones in front of the TV screen, and we watch movie after movie after movie.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them anyway!

I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?

I guess they still show the movie in school, so around the time of movie showing, my Facebook inbox and my Instagram DM is flooded. "Are you the Quindon Tarver from the movie Romeo + Juliet? Oh my god, you did a great job."

I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.

I want to do a movie, but it has to be the right movie, whether it's independent or a studio movie. I'm much more open to being a supporting actor. At the age of 60, I'll be second fiddle. Fine. I'm happy to do it.

I liked Lost in Space,” Stefan said. “The movie or the TV series?” “The movie? Right. I had forgotten about the movie,” he said soberly. “It was better that way.

My understanding of zombie movies is people rising from the dead, from their graves, stuff like that, and walking very slowly.

Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.

I've made six zombie films; I've tried consciously to make each one different from the next.

I got a movie I'm working on. 'A Gangsta's Pain' was actually supposed to be the soundtrack to the movie, but it got a little delayed, so the movie is going to come out after the fact.

The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.

They [Seth Rogen and Evan Goldberg] thought of this brilliant pot, or whatever, movie [Pineapple Express], an action movie and I guess they figured in a small role for a blonde. And they say that I did my part well. I added tears to the movie.

If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.

You just make the best movie you can and hope for the best, because you don't have any control over what happens with the movie, whether the movie is misinterpreted.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!

If you want to survive the zombie apocalypse, you need to focus on increasing your stamina.

There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.

If there was a zombie apocalypse, I would use my yodeling to kill every single one of them.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

Even if there's a zombie apocalypse, you'll still be able to travel using the Tesla Supercharging system.

I expect a zombie to show up on Sesame Street soon, teaching kids to count.

A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!

I expect a zombie to show up on 'Sesame Street' soon, teaching kids to count.

My Zombie apocalypse plan is simple but effective; I fully intend to die in the very first wave.

A movie is like a tip of an iceberg, in a way, because so little of what you do in connection with making a movie actually gets into the movie. Almost everything gets left behind.

Let the historic dissection begin. Man-made global warming is a dying market and a zombie science.

Generosity could be as contagious as the zombie plague as long as enough people were willing to be carriers.

Why is a movie starring women considered a gimmick and a movie starring men is just a normal movie?

I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.

My favourite movie is '3 Idiots'. It's a Hindi movie and I also have a great collection of Hollywood movies and my favourite movie is 'Vertical Limit.'

I tried to speak in a cool, calm way, but the zombie rose up in my throat and choked me off.

An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.

I choose parts because I don't want to be embarrassed when the movie comes out. What if my friends were to see the movie? What if my niece or nephew wandered into the theater and saw the movie? I don't want to be too ashamed of it.

'A Bug's Life' is a really funny movie and the characters have such different personalities. The movie is happy and then gets really sad and I'm like, W'hoa, I'm feeling this way and this movie is about bugs!'

I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.

With the Romero zombie, you usually did not have a reason for the infection, the plague, the virus, whatever it's called.

Together my friends, we will ride our ponies into a zombie-powered future.

Don't worry about your father. He's a perfectly contented, self-sufficient zombie.

Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.

If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.

I actually wrote my first zombie book way before I got the job on 'Saturday Night Live.'

I'm into zombie movies like 'World War Z' and the shows 'Breaking Bad' and 'The Walking Dead.'

Culture is just a shambling zombie that repeats what it did in life; bits of it drop off, and it doesn't appear to notice.

'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.

I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.

Humanity is mind-controlled and only slightly more conscious than your average zombie.

I actually wrote my first zombie book way before I got the job on 'Saturday Night Live.

'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.

I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.

White Zombie was a bunch of kids with the worst equipment playing in a basement. But that is what is so great about it. There is no reason to think that you can't do it.

Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.

My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.