A Quote by Alexandre Aja

A movie like 'The Last House On The Left' would be very hard to do in Europe. — © Alexandre Aja
A movie like 'The Last House On The Left' would be very hard to do in Europe.
In Europe, there is no horror movie. It's very hard to make a slasher or gory movie. There is no audience for that.
Germany will regard the Jewish question as solved only after the very last Jew has left the greater German living space... Europe will have its Jewish question solved only after the very last Jew has left the continent.
When the movie 'Sliding Doors' came out, it almost sent me into existential crisis because I think about that all the time. Like, 'Wait. If I left my house five minutes later, maybe this would have happened and I'd be on this different track of my life. How would that affect me?'
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
I make every movie like it's the last one. "If this was the last movie, what decision would I make?" That's how I make my decisions.
I've been hearing it a lot, especially in the last few years; people will say things to me like "Well, if only I was like you in that movie," or "If only I could be with someone like you in that movie." And, you know, it's very flattering to hear that.
The hard left is a very small section of the British population and I myself am not hard left. I am a traditional Labour left-winger.
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
I think every filmmaker in Europe would be lying if they didn't say one day they just wanted to make a movie here in Hollywood or at least try it. It's very different from European filmmaking, because here it's like a real industry. It's very much about money and making money, which I think is fine, because it's very expensive to make movies.
It was hard telling those kids...that I wasn't going to be there this year. And I knew I was going to miss them. I won't have an opportunity to see them again, unless they stop by the house. Now during the summer, I got lots of notes; kids would stop by the house. I'd be pulling weeds or something and they would come up and give me a hug and say, 'Oh, I can't believe it, this is so wonderful!' and just get very excited about it. It was hard not being in school. I would have loved to have gone back to school.
'Insidious 2' is a direct continuation of the first movie. We literally pick up from where we left off at the end of the first film. And whereas the first movie is a twist on the haunted house genre, the second movie is a twist on the classic domestic thriller.
Had we had all the money in the world to spend and we were doing another studio movie, we probably would have jumped quickly into the Necromonger universe and done an Orpheus Descending movie there. We didn't have that kind of resource. So, we said, this time, "If not that, this time, then what is it? What does this new movie look like?" Quickly, just in talking about it very simply with Vin [Diesel] in his kitchen, we decided on a survival, left-for-dead story, where Riddick could, as a character, reclaim the animal side.
It was very hard for me to put my life on paper. It was a very intimate process, very psychological, but at the same time liberating. It was like cleaning the closet, like cleaning the house... It was very refreshing.
I would really love to do an action movie. An action comedy would be right in my wheel house. But those are really hard to come by.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
My first guitar was like a campfire guitar. And it was left at a house that my family had moved into... and the guitar was at the house. It was all strung up. It's normally something that would be beyond a bit of rubbish.
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