A Quote by Anton Corbijn
I had no agent, and I was getting approached by so many people that I tried to escape for a while because I couldn't believe that world. Photography is not an industry, and suddenly an industry came to me, so I sort of had to accept it in the end and get an agent.
Related Quotes
Perth is not industry-heavy, so just figuring out how to get into the industry was tough. Eventually, I found out what a U.S. agent was, and so I got a U.S. agent.
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
My father was a writer, so I grew up writing and reading and I was really encouraged by him. I had some sort of gift and when it came time to try to find a publisher I had a little bit of an "in" because I had his agent I could turn to, to at least read my initial offerings when I was about 20. But the only problem was that they were just awful, they were just terrible stories and my agent, who ended up being my agent, was very, very sweet about it, but it took about four years until I actually had something worth trying to sell.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
So I did 'Celebrity Big Brother' and while I was locked in a house with crazy people I came out and Denise had actually gone to my agency and got with my agent. And my agent told me, hes like, 'Yeah, I have Denise Richards. That's so exciting, right?' I go, 'So basically you hired my competition. That's amazing.'
I sometimes talk to people who think I got published because I was an editor, or because I was an agent, and I have to disabuse them of that notion. It wasn't because of my emplacement within the industry. Actually the writing came first, and the publishing came first as well.
After about 20 years of the real estate industry - where we had built it up from a little one-off, just five-agent operation - we built that that into a four-office, 65-agent, multimillion-dollar firm. At that point, I relocated to my ranch in eastern Montana and really thought that I was going to spend much of my time in ranching.
I suddenly received a call from my agent offering me the chance to do 'Strictly' and I had to make the decision within an hour or two. I was doing a different job towards the end of the year so I had to change my plans, but it was a no-brainer.
Getting an agent is hard, and I also think people rush to get an agent too soon.
Of course I had a piece of luck I couldn't have imagine for myself in a million years: I got an agent. That sped up the process. I'd say it's a good idea, getting an agent.
So far as photography satisfied a wish, it satisfied a wish not confined to painters, but a human wish, intensifying since the Reformation, to escape subjectivity and metaphysical isolation - a wish for power to reach this world, having for so long tried, at last hopelessly, to manifest fidelity to another... Photography overcame subjectivity in a way undreamed of by painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the act of reproduction.
I laugh at it now, but one time I had an agent tell me I would never work in TV if I didn't get a nose job. People tell you to change yourself to fit into the L.A. scene, but the advice usually doesn't make any sense. The next agent told me my nose was great!
My agent came to me with a deal from another publisher and I signed a deal and got the advance with no idea of what I was going to do. I probably procrastinated for almost a year, but we had meetings and I was basically going to spoof "Take Ivy," but then it kind of turned into something else. I wanted it to be a book of all the things that made me who I am, like Brooks Brothers, Hot Wheels, "The Andy Griffith Show" and G.I. Joes. I couldn't sit still and do it, so my agent had to come to my house and force me to do it.
Luckily for me, most of my work is through a brand or client who approaches my agent. Before I began modeling, I never realized how many barriers there were for people with disabilities within the industry. I didn't realize how much prejudice and ignorance existed. That made me even more determined to break down the barriers and to wake up the industry to the fact that beauty shows up in all different shapes, sizes and abilities.
I've been in the industry from the age of 9, so I have an agent. That's how you get auditions.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director