A Quote by Claire Denis
I've heard it said many times, 'Let's work on the look of the film,' but that doesn't work with me.
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Many times, I have heard people saying that they don't like to work with their wife or husband, but to me, it is a plus. To work with somebody you love makes filming faster, more fun.
I say to hell with the work you have to do to earn a living! That kind of work does us no honor; all it does is fill up the bellies of the pigs who exploit us. But the work you do because you like to do it, because you've heard the call, you've got a vocation - that's ennobling! We should all be able to work like that. Look at me, Saturno - I don't work. And I don't care if they hang me, I won't work! Yet I'm alive! I may live badly, but at least I don't have to work to do it!
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
'The Custodian' was my first film, and there were so many lessons to learn in that week. It was really fun, but for me, I look at it as a training film, and I'm not really proud of my work in it.
I have said many times that most people work all their life to retire to play golf, while I played golf all my life to retire to work. I enjoy working. It has kept me young and on the move, and I have had a good time with it.
I had so many agents tell me that at size 18, I would never work or work again. I heard, 'Go home and lose some weight.'
George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
I started to work when I was really young. For me, friendship is work, and work is friendship. Those who are next to me and that have been there for a long time are those who can work with me, play football with me, and go watch a film with me.
I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so", because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband.
I look for the ability to work. Directing is hard work. They don't teach you that in film school. Critics are not aware of it, but it is hard, physical work.
I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.
An actor had made a comment and said, 'You are so unapproachable.' He called me boring and said, 'You're no fun.' He also said, 'I don't know if I ever want to work with you again.' And I never worked with him after that film.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
For me, it's not like I am going to look at the money the director's film has made before their film... For me, it is about working with the director whose work I have admired.
At the beginning, I thought the best Islamic work was in Spain - the mosque in Cordoba, the Alhambra in Granada. But as I learned more, my ideas shifted. I traveled to Egypt, and to the Middle East many times.I found the most wonderful examples of Islamic work in Cairo, it turns out. I'd visited mosques there before, but I didn't see them with the same eye as I did this time. They truly said something to me about Islamic architecture.
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