A Quote by Daisy Lowe

I'm a model, I have to be confident in front of a camera otherwise I wouldn't be doing my job. — © Daisy Lowe
I'm a model, I have to be confident in front of a camera otherwise I wouldn't be doing my job.
Once I realised that my job as a model was to emote in front of the camera, I thought, 'Well now, I just have to add words, and I can do films.' But also, my success as a model made me more confident about becoming an actress because, just in case I failed, I thought, 'Well, you know, if I failed as an actress, I can do another job.'
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
At that point it certainly would be called abstract. That is to say, you had a model and there'd be one or two or three people there drawing the model but otherwise you had abstractions all around the room, even though the model was in front of you.
I'm a model, and I happen to model for curvy things, but at the end of the day, I'm still in front of a camera just like anyone else.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
I constantly doubt myself. I only feel confident in front of the camera.
When I made my debut as an actor in 'Rock On!' I was confident to get in front of the camera.
I was confident while facing the camera because I was comfortable in front of a live audience.
There will be a time very shortly that I just might not be in front of the camera at all, and I might just be behind the scenes. I love doing television, though. I don't necessarily love being in front of the camera.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines. The people who do that as a profession are very talented because it's certainly not easy.
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