A Quote by Fran Drescher

I did a terrible television pilot that was so badly written and dumb that it became a turning point for me and I decided that I would never accept a job just because I needed the money.
I did a lot of violent junk just because I needed the money - alimony movies, you might call them - and then I decided to start turning down the junk scripts and wait for something better, no matter how long.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
I never did films for the money or because I needed to buy a house or car. I do it because I love my job.
I was young so when I had that job at Burger King, I was still in high school and I just needed to help out my mom. And help myself because I needed to buy some of my clothes. I did that for about three years and I had became a shift manager working at Burger King, doing my thing. I was young and excited to make my own money.
I would never allow anyone to give me money, no difference how badly I needed it. I wanted literally to earn my living.
I did it at night because I loved it. I never did it to make money, as a job. I just did it because I had to.
I grew up and I kind of took the road of becoming a pilot, which was another dream I had of flying, and once I did attend the air force academy, that dream of flying became more like a project, and I wanted to be a fighter pilot, which I did. I became a fighter pilot.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
One of the first TV shows that I did was this prank show. And we did a prank where we took a Michael Jackson impersonator and I played his publisher.I was just really good at my job.We were just about to go onto the field to throw out the first pitch just two weeks after 9\11. It was a huge security breach, and we made a lot of cops look really dumb. Producers of the show thought it would be really funny and I didn't think about it because I was a young dumb comedian. So I got arrested and went to jail in the Bronx, and now I can never go back to Yankee Stadium.
I never cared about money because I never needed money, you know what I mean? When I was 12 to 17 I never saw any of the money, so the money never motivated me.
The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
September 11, 2001, was a terrible tragedy by any measure, but it was not a historical turning point. It did not herald a new era of international relations in which terrorists with a global agenda prevailed or in which such spectacular terrorist attacks became commonplace.
The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.
I knew I'd never make it back to the major leagues as a player. Lee MacPhail came to me and asked if I wanted to manage the Yankees' Fort Lauderdale club. I thought about it for a day or two and decided to take the job. That was the turning point. I knew it was what I wanted to do.
With Cleveland, I think they did a great job in knowing what their team needed, and when I came, I just did my job, and they fully embraced me.
This site uses cookies to ensure you get the best experience. More info...
Got it!