A Quote by Howard Hawks

I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too. — © Howard Hawks
I made 'Rio Bravo' with John Wayne. It worked out pretty well and we both liked it, so a few years later we decided to make it again. Worked out pretty good that time, too.
I was pretty young when I bought my first place, and at that time didn't really view it as an investment. After living there for a few years I decided to move out of London, so I decided to rent it out for a few years. Then, as the property market continued to rise, I made the decision to sell.
I was familiar with that and 'Rio Bravo.' 'Rio Bravo' was what John Carpenter did, that brilliant move of taking a western and turning it into an urban flick. And from there you got, you know, all the cop genre movies of the time.
I have no skills. I mean, I can make jokes, I'm pretty good at talking to people on the Judge John Hodgman podcast. I can figure out what makes a pretty good story, and I can make eggs really well.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
Being myself has worked out pretty well for me I think.
Education is fantastic. In my case I had to split my university course so it took a few more years. I really want to excel at everything I do, so I sat down and spoke with both my swimming coach and my tutor and we worked out a good plan to get the best out of both my swimming and my education.
Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.
Nobody heard records of you playing whatever the melody was on those low strings. It worked out good, you know, about 25 or 26 million records later. I guess it worked out alright.
I've worked with Lil Wayne and Wiz, but I'd like to work with Snoop next. I love 'Paid tha Cost to Be da Boss' and 'Doggystyle' and pretty much anything he puts out. And Ice Cube - like, all the legends.
I've worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here's the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.
It was pretty common to form bands that only lasted a few years. Slint was my favorite band that I was in at the time, and I didn't realize that I was bummed out about it until quite a while later.
Following my muse has worked out pretty well so far. I can't see any reason to change the formula now.
If you want good behavior, don't pay on a commission basis. Our judges aren't paid so much a case. We keep them pretty well isolated with a fixed salary. Judges in this whole thing have come out pretty well - there have been relatively few scandals.
My biggest dream was to ruin the lives of my readers and crush their souls... And I really think that worked out pretty well for me.
'Little Miss Sunshine' was one of those small movies that you don't hold out huge hope for. It's usually found in small pockets. But, it ended up getting a real following and worked out pretty well.
If you ask me about Donna Lynne, she's one of the flat-out most talented people I've ever worked with, and I've worked with some pretty talented people.
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