A Quote by Ingmar Bergman
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about
Related Quotes
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
I would say that the West is very young, it's very corrupt. We're not very wise. And I think we're hopeful that there is a place that is ancient and wise and open and filled with light.
I used to be very afraid of flying. It would creep me out and make me very tense and very uncomfortable, and I would sweat or even cry. I was very, very scared of dying, but I'm not anymore. Fears need to be indulged, in order to exist. I don't have much time to indulge in any fears.
Even very young children need to be informed about dying. Explain the concept of death very carefully to your child. This will make threatening him with it much more effective.
When I was very young, Denmark was a very small country, and we still are, but it was then very provincial and everybody knew everybody. Now, we are very much like the rest of the world, especially with the arrival of the internet.
My childhood was pretty ordinary, except from a very early age, I wanted to be scared. I just did. I was scared afterwards. I wanted a light on, because I was afraid that there was something in the closet. My imagination was very active, even at a young age.
I like superheroes who are very human and underdog. That's why I relate to my character in 'A Flying Jatt': because he is a very normal person and very human. He was very unsure about his super powers; he didn't know how to use them. He is scared of heights, speed. Especially he is scared of his mom, but he has to listen to her.
I don't spend a lot of time thinking about dying, but I like to think that I've - if it did occur - that I would die peacefully and not make too much of a fuss about it.
I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
I think to be courageous, you have to be afraid. For me, it feels very courageous when I go skiing because I'm very, very afraid to ski. It's dangerous! I feel very scared. But when I'm acting, I don't feel very scared.
I think I've been brought up very well by both my parents. I am very cautious and I think I'm now fit for the world I'm in. They're very much behind my modelling and very supportive.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
I think self-portraits are very difficult. I’ve always seen mine as straightforward, very stripped down, hair pulled back. No shirt. Whatever light happened to be available. I’d want it to be very graphic – about darkness and light. No one else should be there, but I’m scared to do it by myself. I’ve been thinking about it for a long time. The whole idea of a self-portrait is strange. I’m so strongly linked to how I see through the camera that to get to the other side of it would be difficult. It would be as if I were taking a photograph in the dark.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
I think every filmmaker in Europe would be lying if they didn't say one day they just wanted to make a movie here in Hollywood or at least try it. It's very different from European filmmaking, because here it's like a real industry. It's very much about money and making money, which I think is fine, because it's very expensive to make movies.
Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.
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