A Quote by Jason Shawn Alexander
I never want to paint anything just to make a pretty picture. The only reason I do this is because it's an outlet, it's emotional.
Related Quotes
The best reason to paint is that there is no reason to paint... I'd like to pretend that I've never seen anything, never read anything, never heard anything... and then make something... Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it... Nothing is important... so everything is important.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
If you can't be pretty, you have to learn to make yourself attractive. I found that all the pretty girls I went to high school with came to middle age as frumps, because they just got by with their pretty faces, so they never developed anything. They never learned how to be interesting. But if you are bereft of certain things, you have to make up for them in certain ways. Don't you think?
If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
My son is the reason why I write music. He's the reason why everything is different for me. Because when he came into the picture, my priorities changed. I can risk possibly being incarcerated because the only person pays for it is me. I know that if I'm not physically available to take care of him, nobody else will. I want to have the relationship with him that me and my father never had.
My music is very raw, it's emotional, and it's honest. I do my best to tell a story whenever I write music because I want to paint the most vivid picture that tells a story whether a person is falling in love for the first time or going through a painful heartbreak.
My sin as a painter is that I just want to paint anything I want to paint - and repaint.
When it was offered [a role in The Flash] I just thought it sounded like the perfect thing that I would want to do. Then they announced it online the day after and I was terrified, because I hadn't read anything, I hadn't shot anything. What if I'm awful? What if they fire me on the first day? But what I discovered was a bunch of really happy actors who want to make the best show possible, because it's fun. Not for any other reason.
I just want to paint that picture of Chicago that everybody's missing, and I just want to rap about it.
When we go out with friends for a dinner or something and we have friends that aren't there, for no reason other than they weren't invited because we only had room for a certain amount of people, we just don't post a picture because we don't want anyone to feel left out. What's the point?
I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.
