A Quote by Jim Jarmusch

Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision. — © Jim Jarmusch
Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.
Poets are always ahead of things in a certain way, their sense of language and their vision.
I met Jim Jarmusch when I started recording my album 'Ya Nass.' He was writing the script for 'Only Lovers Left Alive.' Jarmusch was always a great inspiration to me, way before meeting him. Working with him was fantastic.
The thing that got me closest to doing Kermit was remembering what Jim did when he was doing Kermit. When he would do Kermit, there were certain faces that he made. There was a certain way he stood, a certain kind of body language that he had.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
That’s what painting does; it organizes vision in a certain way or suggests that certain things be paid attention to and certain other things not be paid attention to. It functions in that way to a certain extent in our civilization.
You can't blame the President for the state of the country, it's always the poets' fault. You can't expect politicians to come up with a vision, they don't have it in them. Poets have to come up with the vision and they have to turn it on so it sparks and catches hold.
I think one of the things that language poets are very involved with is getting away from conventional ideas of beauty, because those ideas contain a certain attitude toward women, certain attitudes toward sex, certain attitudes toward race, etc.
I didn't discover how music and film could work together until Jim Jarmusch had me do 'Ghost Dog.'
The way I mainly use the Internet is keeping in touch with poets that live far away. My main interest is contemporary American poets and some Spanish language poets, and I keep in touch with their work through either their websites or email.
I am a big fan of Jim Jarmusch and I do love big screen documentaries.
I am a big fan of Jim Jarmusch, and I do love big screen documentaries.
In certain places, not always, there are moments where I tried to convey in English a sense of foreignness. I wanted the reader to get the sense that another language is being spoken.
Lying is the misuse of language. We know that. We need to remember that it works the other way round too. Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer's first duty is to use language well.
Should, is the worst word in the English language. People always think things "should" be a certain way, and when they're not, they're disappointed.
In adolescence I started to find out about Robert Wilson because I saw Lou Reed's "Timerocker" at [the Brooklyn Academy of Music]. I started getting into Jim Jarmusch and knew that my uncle was a friend of his. I pieced together parts of his life in high school and college, which lead me to his story in a funny way.
The pace of change is so great, there is always something else going on. What that says to me is that you have to have strategic vision and peripheral vision. Strategic vision is the ability to look ahead and peripheral vision is the ability to look around, and both are important.
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