A Quote by Peter Jackson
Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.
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Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
I had a very brilliant father who was not only intellectual, but was street-smart and very curious to boot. The day I found out that he didn't know everything, I grew up. It was a shock. I just thought that the man was the end-all of everything, and he knew the answer to everything. Then I found out I'd have to find out my own answers.
I've talked to a lot of directors who direct solo like most directors. And they're always like, 'Oh, man I wish I had somebody I could direct with because it's a lot of work.'
What I enjoy most about 'The Lord of the Rings' is that extended cut. To be able to sit there on a Sunday afternoon and watch 'The Lord of the Rings' from beginning to end is pretty fun.
Lord of the Rings is a good thing for us because it opened the door for the genre in general. Le Guin's stories are very different from Lord of the Rings.
Lord of the Rings is a good thing for us because it opened the door for the genre in general. Ursula Le Guin's stories are very different from Lord of the Rings.
My family's a huge fan of 'Lord of the Rings.' My dad probably preaches from 'Lord of the Rings' as much as he does the Bible.
'The Sword of Shannara' is about two brothers who find themselves on an epic quest to save humanity. It borrows from 'Lord of the Rings' but is still original in its own right. I read it in three days, then reread it, then went out and found every single book Terry Brooks ever wrote, and read all those.
After 'The Fellowship of the Ring,' the films that followed it, instead of having their own unique aesthetic, they all wanted to be 'Lord of the Rings' as opposed to learning from 'Lord of the Rings.'
I would definitely line up for 'The Lord of the Rings.' I'm a huge 'Lord of the Rings' geek.
I'd seen Elijah [Wood], when I was a little boy, in The Good Son. And then, I was a huge fan of The Lord of the Rings. It took awhile to get over that whole, "That's Elijah Wood - Frodo, from The Lord of the Rings." I was a mega fan of that. I went to the all-day screenings of the director's cut, where you could see the really long versions of all three movies, in one day.
We really liked the magic of 'Harry Potter' and 'The Lord of the Rings,' but we could never figure out where the powers came from.
I engaged - started engaging in yoga as a physical practice, but very quickly found out there was something broader to it, and that it was actually helpful for my pain, and started to get into meditation, started to study the Upanishads and the Bhagavad Gita and a lot of the scriptures associated with yoga, the Yoga Sutras, and very quickly came to this conclusion that this had a huge impact on my ability to lead, but, more importantly, the ability to control my sympathetic nervous system, which had a direct tie to the pain in my arm.
I hadn't watched 'Lord of the Rings' - I'm gonna get so much flack for this, but I hadn't watched 'Lord of the Rings' when I started watching 'Game of Thrones.'
'Lord of the Rings' was going on; like, my college years were the years of 'Lord of the Rings,' an awesome time to be in film school.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
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