A Quote by Sobhita Dhulipala

Finding that people are searching for my name and work on IMDb, which is the biggest data base for movies and celebrities in the world, is immensely special and motivating. — © Sobhita Dhulipala
Finding that people are searching for my name and work on IMDb, which is the biggest data base for movies and celebrities in the world, is immensely special and motivating.
It is immensely motivating to be given so much love and appreciation on IMDb, which is the biggest database for movies and celebrities in the world.
I do have two data identities. I have my name, Bruce Sterling, which is my public name under which I write novels. I also have my other name, which is my legal name under which I own property and vote.
The weaker the data available upon which to base one's conclusion, the greater the precision which should be quoted in order to give the data authenticity.
Maybe his heart is searching for and not finding the place it used to live. I understand that because mine is searching and not finding too.
The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.
Movies are the biggest export in the world, the biggest American export. It influences people all over the world. Music and movies. That's what's exciting about what we do, the fact that it's so global. It brings people together. People don't have to understand the language to laugh at actors. They're going to laugh even though they don't understand what they're saying. Cause they're seeing it.
The Prince of Calcutta. Two of his special qualities are his intelligence and articulation, both of which have helped him immensely in the world of contemporary cricket.
We've never slammed people over the head or made 'The Flash' an after-school special. With us, it's always been presenting the world in which we live. The world in which we live, men and women work together; different races work together, and you have gay friends, and people have relationships. We just try to show that.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
The biggest mistake is an over-reliance on data. Managers will say if there are no data they can take no action. However, data only exist about the past. By the time data become conclusive, it is too late to take actions based on those conclusions.
Movies are the biggest export in the world, the biggest American export. It influences people all over the world.
It's cool that people enjoy my work. That's fun for me that people, like going to my movies and enjoy all the hard work that everyone put into it. I think that's the biggest reward, to know that everyone enjoyed the movies with me.
You're raising a kid and you give it food and shelter and, most importantly, you give it the feeling that it's special. I think people react to celebrities like that - I mean, they treat celebrities like children.
The first role as "Fashion Show Guy" should not be on my IMDb anymore. That's the sort of thing you put on your IMDb when you have no credits and you really just want to have a line on your résumé. I had just gotten to New York and there was a massive open call for extras for Sex and the City. One of my college roommates' buddies - there was some connection - she worked in the office and saw my name in the massive stack of randoms just trying to be on the show, which was a big hit. She's like, "I know this dude. Let's throw him in there."
I don't know who's running IMDB. It could be computers. I'd like to talk to someone from IMDB.
That is the limit of IMDb. You can get into any IMDb page and hack stuff.
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