A Quote by Judd Apatow
I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."
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Sometimes I start with the beat. Sometimes I can write something down and it takes me a while to figure out how I want to say it or the beat I want to say it to. I definitely like to live the experiences that I cover.
I think you could say that, a lot of players are insecure and sometimes we have this shield around us that we don't want to accept that we have problems sometimes or we don't know how to do things because we're these superheroes.
I try to love my neighbor as myself but I'm not trying to be a people pleaser. Sometimes that's hard, because my human nature is to want people to be happy with me. But sometimes I feel my convictions are so great that it would be compromising the truth if I didn't do that. So sometimes it's a struggle to say, "This is what I think; this is what I believe, and if you don't agree with me, oh well." The hardest thing for people to accept is the gay-affirming issue. It's hard for people to agree to disagree on that one.
Sometimes people ask me this question in interviews and it is very difficult to answer. They say, 'Kouli, how does it feel when the fans make these racist howls at you? Does it bother you? What should be done?' I think that until you have lived it, you cannot really understand. It is such an ugly thing, and it is hard to talk about.
I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'
You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.
Sometimes I'm a psychiatrist and I tell people in my office that my door is open, and if they have a problem to come and talk to me. Sometimes I say, "I have to close the door because I don't want to hear it!"
Although sometimes I might sound sometimes idealist or too optimistic but I think my father used to say to me in everything bad there's something good that is going to come out of it and there will always be a tomorrow.
What people say often precedes what they think. Some people sometimes say, "I have to hear myself talk before I know what I think." I think language sometimes, because it opens new channels, it opens new doors, is enormously important.
It's good to talk sometimes. Sometimes interviews are really good for you... You end up evaluating yourself more and talk about stuff that an ordinary person wouldn't necessarily keep revisiting. I used to close myself off and want to be alone, but now I'll call a friend. When you're in a relationship, they're that person.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
I talk about what other people don't want to talk about. Sometimes I talk too much. Sometimes people misconstrued what I say.
Sometimes I start with lyrics - rarely - but sometimes I might have an idea for some lyrics that I wanna say. I write them down and figure out how to use that in a melody to write a song.
Sometimes I try to figure out why I always push things to talk about the really dark stuff in interviews, and I just think it's healing - for the listener, and for the guest.
People bug you all the time. Sometimes, it's a good bug, when they say you're doing a good job. When it's not a good bug, it's even worse.
In a lot of movies, honestly, the directors don't talk to you that much. Maybe they say, "Faster, slower," whatever. Sometimes they give you little adjustments, because sometimes you want to start out neutral, but a lot of times you wind up directing yourself anyway, just doing what you think is the right thing to do.
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