A Quote by Oliver Stone

You always try to find the right style for the movie. That's the key. — © Oliver Stone
You always try to find the right style for the movie. That's the key.
It was Thomas Tuchel's first season as coach and I played centrally always. The whole team had a great year, one that I enjoyed a lot. Our style has changed a bit, from trying to score within five seconds to a more calm and in some regard more educated style of play. We try to find the right moment - and then we explode.
I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
If I could find the right kind of property, get tied in with the right movie, I'd love to be involved, but I just find it hard to be motivated to do another screenplay right now.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
I think that the way to have style is to accept where your body is right now, heavier or skinnier, whether you're going to change in the future and dress it as it is. The fact is you can always find clothes. It may be harder for plus sized people, I completely understand that. But I don't believe that it's impossible to dress with style.
The reason I put make-up on or wear the costume is to try and find my own style. It's like my guitar style - I'm just trying to be an original artist.
I work in the same style as classic landscape photographers. You find the right perspective, and then you wait until the light is right. I do the same. I find the right location, and then I wait for the sound, the atmosphere to be right, and for the space to be revealed.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. There’s no how-to road map to style. It’s about self-expression and, above all, attitude.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
It's funny: I've always wanted to grow my hair out ,and I always seem to get a movie right before it's sort of the right length or right after, and it's never timed right.
I've always wanted to be a communicator of ideas through music. Today, I wanna be the most effective musical communicator of social change I could be, so I try to find different ways to do it and I'm always challenging myself to find new things, learn new instruments. But I always try to find in my heart, what it is I really want to say with words.
The script is so key to making a good movie. But everything is against you when you're making a movie: the logistics of putting a crew out where you need to go, whether the light is fading; if the weather's not right, something's wrong.
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