Top 1200 Cowboy Movie Quotes & Sayings - Page 8

Sometimes it's very difficult to do a movie that's good and then have that movie make it to the light of day.

I approach the movies I make as a movie-lover as much as a movie-maker.

No good movie is too long and no bad movie is short enough.

Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie.

For a while, my favorite movie was 'Vertigo.' Everything in that movie was captivating to me.

The greatest movie would be the movie that gave the audience a cathartic feeling of transcendence.

Actors are real egomaniacs. They get into a movie, they think the whole movie's about them.

Every time I go to a movie, it's magic, no matter what the movie's about.

The look of the movie and the music, which was by Jack Nitzsche, is what really stands out to me. I don't know if the movie succeeds as a political, cultural comment on the times and the war in Vietnam, and the capitalists versus the everyday guy that gets sent off to fight corporate wars. I don't know if the movie ever succeeded in that range. But it was a wonderful part in the Cutter's Way.

I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.

I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.

I wish I could play the lead role in one movie, one great movie.

I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.

I believe if you come out of a movie and the first thing you say is, 'The cinematography was beautiful,' it's a bad movie.

The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.

We have to promote a movie. It's just extraordinary that everybody I'm talkin' to loves this movie.

I didn't want to play a rancher. I didn't want to have a cowboy hat on; I wanted to get away from that in the things I do. But I read the script and fell in love with it. As hard as I tried to say no, I couldn't.

It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.

Telltale signs that your movie is going to go bad is, one, the producer of the movie flees the country.

The sad thing about working on a movie is that you can never see the movie.

After every movie, you get offered the role that you just did in the last movie.

I'm going to go talk to some people to see if you could be in the movie because you should be in the movie.

I realized that everything I do is fantasy, whether it is an adult movie or a kids movie.

Movie stars need to retain some of that mystique if you are a big movie star.

If you're doing a movie, the minute you put a monster in it, it becomes a horror movie.

Suffice to say that the theme (the WHAT of the movie) is going to determine the style (the HOW of the movie).

It is really cool to have created a movie that has turned out to become the biggest movie of the year.

I'd like to be in a Spike Jonze movie. But I live in a Nancy Meyers movie.

When the movie starts playing on TV and DVD, that's when you really see what the movie is.

It's unfortunate that it's not realistic that you can get people to come to a movie theater not knowing anything about the movie.

I would never make a movie just for the sake of making a movie.

Part of the fun of the movie is understanding exactly why we called it Prometheus. And also, it sounds really pretentious, like Inception, so we were just like, "Yeah, that makes the movie sound really smart!" It's so much better then my original title, Explosion. Well, there might be an explosion in the movie.

You can't fool me, comrade. You want to put on a cowboy hat and keep lawless bank robbers in line.'' "No time. I have enough trouble keeping you in line.

I'd love to do a movie like 'The Machinist.' It's an extreme movie but it takes you to a place that is quite impressive.

I don't think it's sacrilegious to remake any movie, including a good or even great movie.

I've always wanted to do a movie, and I really feel the urge to do it.I'm in Hollywood - I have no business not being in the movie industry.

My favorite movie is Dumb and Dumber. It's a classic and I can pretty much recite the entire movie.

Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control.

The movie that really 'did it for me' was 'All About Eve.' The backstage feeling, the authenticity, the passion those people had for their lives in the theater. I must say, the movie 'All About Eve,' what a great movie! 'All About Eve' had a profound effect on my life.

In '39, they had no problem with it. But today, there's a huge issue with a movie that has no male movie stars.

I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].

See I think we are nervous about every movie before it's release, irrespective of who has directed the movie.

I would agree 'Paul' is a sci-fi genre movie. And a road movie.

Every movie I do is challenging for me. There is some element of imaginative that you wouldn't have in a typical movie.

When I go to the movie theater, I want to get emotion from the actors in the movie.

The 'Beavis and Butt-head' movie was just a movie-length version of the TV show.

I was raised in farm and ranch communities, and my dad wanted me to be a cowboy like him, but I saw how he struggled in life and wanted more than that.

I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.

You think it's so cool to have movie stars in your movie, but they become people.

I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.

I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.

In Europe, there is no horror movie. It's very hard to make a slasher or gory movie. There is no audience for that.

Movie-wise, there is nothing I wouldn't do again. It's not possible to make one perfect movie every time.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

Turn off the sound in a movie, and if you can tell what's going on, the movie should work.

The movie doesn't do what you want it do. It just grows and then you have a movie at the end of it, hopefully.

My first movie was 'Diner.' My second movie was 'Tender Mercies.' I did really good work.

To me, what separates a funny movie from a good movie is something personal.

I met this cowboy with a brown paper hat, paper waistcoat and paper trousers. He was wanted for rustling.