Top 1200 Silly Movie Quotes & Sayings - Page 6

I'd like to be in a Spike Jonze movie. But I live in a Nancy Meyers movie.

For a while, my favorite movie was 'Vertigo.' Everything in that movie was captivating to me.

The Wizard of Oz' is my favorite movie. It was the first movie I can ever remember watching.

I approach the movies I make as a movie-lover as much as a movie-maker.

I would never make a movie just for the sake of making a movie.

When I'm in the middle of making a movie, I have blinders on; it's all about just getting the movie out.

I wish I could play the lead role in one movie, one great movie.

And I like the passion that people have when they're trying to prove they can make a movie or be a movie star.

Movie-wise, there is nothing I wouldn't do again. It's not possible to make one perfect movie every time.

Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie.

In '39, they had no problem with it. But today, there's a huge issue with a movie that has no male movie stars.

Whether it be in a small movie or a big movie, I would always be attracted to this role.

I don't think it's sacrilegious to remake any movie, including a good or even great movie.

The look of the movie and the music, which was by Jack Nitzsche, is what really stands out to me. I don't know if the movie succeeds as a political, cultural comment on the times and the war in Vietnam, and the capitalists versus the everyday guy that gets sent off to fight corporate wars. I don't know if the movie ever succeeded in that range. But it was a wonderful part in the Cutter's Way.

I'd love to do a movie like 'The Machinist.' It's an extreme movie but it takes you to a place that is quite impressive.

No good movie is too long and no bad movie is short enough.

It is really cool to have created a movie that has turned out to become the biggest movie of the year.

In Europe, there is no horror movie. It's very hard to make a slasher or gory movie. There is no audience for that.

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].

Movie stars need to retain some of that mystique if you are a big movie star.

We have to promote a movie. It's just extraordinary that everybody I'm talkin' to loves this movie.

See I think we are nervous about every movie before it's release, irrespective of who has directed the movie.

I would agree 'Paul' is a sci-fi genre movie. And a road movie.

I would agree Paul is a sci-fi genre movie. And a road movie.

You can make a movie that's more focused on the jokes, but Young Adult was not that kind of movie.

My favorite movie is 'Die Hard.' It doesn't have pinatas and mariachis. It's just a good movie.

To me, what separates a funny movie from a good movie is something personal.

Sometimes when I make a movie, my main goal is to show the movie to one particular director.

'The Wizard of Oz' is my favorite movie. It was the first movie I can ever remember watching.

Telltale signs that your movie is going to go bad is, one, the producer of the movie flees the country.

If you're doing a movie, the minute you put a monster in it, it becomes a horror movie.

Every time I go to a movie, it's magic, no matter what the movie's about.

The 'Beavis and Butt-head' movie was just a movie-length version of the TV show.

I realized that everything I do is fantasy, whether it is an adult movie or a kids movie.

When I go to the movie theater, I want to get emotion from the actors in the movie.

I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.

Part of the fun of the movie is understanding exactly why we called it Prometheus. And also, it sounds really pretentious, like Inception, so we were just like, "Yeah, that makes the movie sound really smart!" It's so much better then my original title, Explosion. Well, there might be an explosion in the movie.

After every movie, you get offered the role that you just did in the last movie.

Actors are real egomaniacs. They get into a movie, they think the whole movie's about them.

My favorite movie is Dumb and Dumber. It's a classic and I can pretty much recite the entire movie.

The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.

My first movie was 'Diner.' My second movie was 'Tender Mercies.' I did really good work.

The movie that really 'did it for me' was 'All About Eve.' The backstage feeling, the authenticity, the passion those people had for their lives in the theater. I must say, the movie 'All About Eve,' what a great movie! 'All About Eve' had a profound effect on my life.

The greatest movie would be the movie that gave the audience a cathartic feeling of transcendence.

Every movie I do is challenging for me. There is some element of imaginative that you wouldn't have in a typical movie.

I firmly believe that you can't get a good movie without risking a bad movie.

When the movie starts playing on TV and DVD, that's when you really see what the movie is.

Sometimes it's very difficult to do a movie that's good and then have that movie make it to the light of day.

I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.

Turn off the sound in a movie, and if you can tell what's going on, the movie should work.

I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.

I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.

You think it's so cool to have movie stars in your movie, but they become people.

The sad thing about working on a movie is that you can never see the movie.

I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.

I actually heard hip-hop before I saw a movie in a movie theater. I heard hip-hop first, at the tender age of seven, so that came first. I didn't see a movie until I was eight.

Suffice to say that the theme (the WHAT of the movie) is going to determine the style (the HOW of the movie).

It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.

The movie doesn't do what you want it do. It just grows and then you have a movie at the end of it, hopefully.

Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control.